A Quote by Adam Gopnik

Of all the unexpected things in contemporary literature, this is among the oddest: that kids have an inordinate appetite for very long, very tricky, very strange books about places that don't exist...
I write in a very strange way. Things are very fragmentary for a very long time, and then they come together very quickly near the end of the process.
Basically, editing is done in rehearsal and in the writing process and in the acting, so it's very, very tricky, very, very tricky.
My house was very strange. I didn't do things other kids did because my parents were very strict - I stayed at home, quiet in my room.
You would have to be very optimistic to think that any of your books will be among the books that survive in the very long run. I think if a writer is lucky enough to still have a few books around after he's gone, a few that are still being read, then he's accomplished quite a lot.
I haven't been very enthusiastic about the commercialization of children's literature. Kids should borrow books from the library and not necessarily be buying them.
I've always seen places as being very deeply connected to the experience that people have in those places. I think that probably comes through very much in my books.
When people write fan-fic sequels to one of your books, it gives you a very strange feeling. It is very flattering but strange, as if the characters have come to life again without you knowing.
I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.
The literature of the inner life is very largely a record of struggle with the inordinate passions of the social self.
Beauty means a lot of different things to a lot of different people. A lot of different ways in which things can be beautiful. But this really has a very specific meaning and which is more along the lines of elegance which is that we say an idea is beautiful or elegant in mathematics or physics if a very simple principle or a very simple idea, or simple set of ideas, turns out to be very powerful and leads to all sort of unexpected structure and unexpected predictions.
As for literature – to introduce children to literature is to install them in a very rich and glorious kingdom, to bring a continual holiday to their doors, to lay before them a feast exquisitely served. But they must learn to know literature by being familiar with it from the very first. A child's intercourse must always be with good books, the best that we can find.
But one type of book that practically no one likes to read is a book about the law. Books about the law are notorious for being very long, very dull, and very difficult to read. This is one reason many lawyers make heaps of money. The money is an incentive - the word "incentive" here means "an offered reward to persuade you to do something you don't want to do - to read long, dull, and difficult books.
People like to complain about the state of contemporary literature, but I can only assume they don't read it very widely.
New York is a very tricky city. I find it very noisy. It's a jungle, and it's very stressful at times, but I'm ready for it.
Who can control this when its appetite is aroused? No one! In the very movement of this appetite, then, it has no "mode" that responds to the decisions of the will ... Yet what he wishes he cannot accomplish ... In the very movement of the appetite, it has no mode corresponding to the decision of the will.
Long historical books get written by women, but not contemporary experiments, which still seems to be a very male-dominated field.
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