A Quote by Adam Granduciel

With 'Under the Pressure,' I just found two chords I liked, and built it up, did like a ten-minute drum pattern. — © Adam Granduciel
With 'Under the Pressure,' I just found two chords I liked, and built it up, did like a ten-minute drum pattern.
When I was growing up, my idea of Led Zeppelin was all epic lasers, castles, and ten-minute drum solos - that sort of thing.
One minute you're up a mountain, the next you're down a well. One minute you're with Tony Blair, the next you're with McFly. Ten years feels like two years when you're in the 'Blue Peter' bubble.
We would work up a tune that would make me learn a drum pattern I hadn't played before. In the early stages, the pattern wouldn't just fall into place, and I would start thinking about it. And the more I thought about it, the worse it would get.
When I went in there, we used drum machine on "Time After Time" and "Human Nature".We don't use the drum machine to play a pattern. You play the pattern by being consistent.
I got to be White House chief of staff, ten years of congressman, secretary of defense, vice-president. If you're a political junkie like I obviously am - that was - every one of those was just a tremendous experience. I'm very comfortable with what I did and why I did it and how I did it. And I'll let others judge whether they liked it or not.
I liked how 'Star Wars' felt both old and new. I even built a model of R2-D2, taking about two months mixing two kits to make one that looked just like the real thing. I'm the kind of person who gets really into it when I do something like that.
I think if a girl who liked 'Party Down' found out that her boyfriend liked 'Two and a Half Men,' she would break up with him.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
Even if chords are simple, they should rub. They should have dissonances in them. I've always used a lot of alternate bass lines, suspensions, widely spaced voicings. Dfferent textures to get very warm chords. Sometimes you're setting up strange chords by placing a chord in front of it that's going to set it off like a diamond in a gold band. It's not just finding interesting chords, it's how you sequence them, like stringing together pearls on a string. ... Interesting chords will compel interesting melodies. It's very hard to write a boring melody to an interesting chord sequence.
For "Running Up That Hill" we had worked with a drum machine [in 1985]; the basic rhythms of "Running Up That Hill" happened because the whole track was built on a drum machine.
I threw up before every single football game I played, and I did so up through my NFL career. It was good pressure. It was pressure to be good. It was pressure to be the best. It was pressure to want to win.
There's a pattern when tours start - a pattern of infighting, of making up, of breaking up, of addiction. There's a pattern of going to jail. There's a pattern of passion for music.
I decided to do what I do when I was 2 years old. At 2 years old, you know, I heard the sound of a drum playing in the village, and I found my own drum and just picked it up and started playing, the worst song ever written by Wyclef Jean.But it actually started a vibe.
I learned to drum and I'm very excited today. Well, first of all I got to...I learned when I was in New York I sort of did some prepping with just learning basic stuff like beating my couch next to my drum teacher, who's this incredible guy named Charlie Green.
I love pressure. I don't know why, but I love the pressure of, 'oh it's third-and-five' or it's the two-minute drill and someone has to make a play. I'm that guy.
I see so many fools in this world that sometimes I could just go home and cry about what people do to themselves Hey, wake up, wake up, look here! Think a minute, think a minute. This is your life! You got, what, ten, twenty, thirty, forty, fifty, sixty years here, and you gonna be gone.'
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