A Quote by Adam Granduciel

Somewhere between this kind of cruising freedom, and this understated moment where all these little things intertwine to create a bigger sound. You don't want one thing to be bright, or too prevalent.
Happiness is a mysterious thing, to be found somewhere between too little and too much.
Somewhere between psychotic and iconic/ Somewhere between I want it and I got it/ Somewhere between I’m sober and I’m lifted/ Somewhere between a mistress and commitment
Oh, somewhere in this favoured land the sun is shining bright; The band is playing somewhere; and somewhere hearts are light; And somewhere men are laughing; and little children shout; But there is no joy in Mudville- great Casey has struck out.
You start to realize connections between experiences and things that push your buttons, and things that have touched you in those vulnerable areas and what-have-you. And they form a little collection over time - at least I do - and as time progresses and new things are learned, you kind of sift through those things until they're air or danceable, you know? But they start as this thing that's either too hard or too soft to dance to.
There's a quality to the sound of a trumpet that you can really twist for any kind of sound and mood that you want to create.
The exploitation of women, mass hunger, disregard for freedom of conscience and for freedom of speech, widespread and racial discrimination all these evils are far too prevalent to be overlooked.
And I'd get back to the cars being physical challenges to drive - to tame the beast. The cars we have at the moment are fantastic bits of engineering, but it's a little too comfortable, a little too easy. I think I'd go back to making the driver a bigger variable.
Most sound people don't get the assignment to create worlds of sound and get freedom to try a lot of things and then get the scrutiny and support of the team over a long period of time.
Sound is often talked about in a very subjective way, as if it had a colour. This is a bright sound, this is a dark sound. I don't believe in that because I think that is much too subjective.
If I lived in China or even Russia, or any totalitarian country, Maybe I could understand some of these illegal injunctions. ... But somewhere I read of the freedom of assembly. Somewhere I read of the freedom of speech. Somewhere I read of the freedom of the press. Somewhere I read that the greatness of America is the right to protest for right.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
The thing I get out of it is the connection. I remember going to shows as a kid and meeting eyes with the people in the band, and knowing they are meeting eyes with you, and that moment, that smile, and that's your moment. I want to create millions of little moments for other people.
Shoes are the first thing I notice on a man. I like classic styles - not too square, not too pointy, not too fashiony. There's a fine line between too much and too little effort.
I just want to keep going for broke, making bigger and bigger things like 'Lord of the Rings' until they kick me out of Hollywood. I just want to do the biggest thing I can.
Bigger-budgeted films have more restrictions and less freedom to create. Because of this, I try to find freedom in the people I work with. I often work in ways I don't want to. It's more about controlling the situation. Lower-budget films are freer.
I'm getting a little tired of politicians trying to prove how 'moderate' and 'centrist' they are by taking more of my money and freedom. Where's this center - somewhere between Lenin and Stalin?
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