A Quote by Adam Granduciel
I was the guy who didn't get a cool little apartment. I took one for the team. I liked having the place we could make noise in, the place that could be the center of the music. I sat down and calculated it one day, and over the years, I've had something like 38 roommates.
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I truly love [Andy Serkis]. He's an amazing guy. Yeah, I think that when we really synced up was when he came over to my place, the place I rented in Vancouver, and we had like two bottles of wine, and what a night. What a night. And by the way, I don't remember a damn thing we talked about, but I can tell you it would've been like the greatest conversation if we could've written it down or something, because it was incredible. He's such a bright, amazing guy.
There's a lot of guys that are able to perform for a short period of time. It could be a week, it could be a month, it could be two months, it could be one season. It's doing it over and over. And being consistent was something that watching Patrick Roy all these years, that's what he was. He never had down years.
The team was going into transition. The team that we had could not continue to exist. Because of age, injury, it could not get to that same level. It had to change. I wish this team could have been frozen in time for 10 years, but that's not the reality.
Since 'Idol' I've gotten used to having an amazing hair and make-up team around me, so I'm starting to get picky. I know what I like now and I'm happy to say 'Could we maybe change that?' if I don't like something. I don't yell or anything, but I think I could definitely start to act a little diva-ish when it comes to my look.
Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.
I went to 13 schools in 12 years. We moved all over the place. Music was the only thing that I could get behind... I wasn't that good at socializing. I'm still not.
We’re really lucky to live in a planet that has so much music. We could be living in some bland planet that had no music, no movies, no books, just a bunch of people going around having jobs and things like that. To me that would be a really miserable place, you know, to me music is what makes this world a really fun place to be, you know?
Joe Morgan was the one guy that absolutely put our team really over the top. ... Then we had George Foster come in; Ken Griffey Sr. was as good a two-place hitter as there has ever been in the game, and Cesar Geronimo won four Gold Glove awards. I mean, how could you ask for a better team?
It took me a while to get to a place of feeling like fashion was an expression - something I could have fun with and an art form.
I always felt out of place. I wasn't a cool kid, but I wasn't a nerd, either. I had trouble finding my place. But when I found the music, I had a place of my own.
The place I am always looking for - because in order to keep the business, I need to make a little compromise between my values and customers' values - is the place where I make something that could almost - but not quite - be understood by everyone.
I've forgotten what it feels like to be in one place for more than a day... But we signed up for this. This is our dream. We sat down and said this is what we want to do, play music and touring.
To me, the noise of a threshing machine is better music than a lot of music I hear nowadays. I took a man's place in the threshing crew when I was only 14 years old.
I had $20 million in the bank, girls are following me all over the f - place, people call my name everywhere I go. What would I change? And then one day you get onstage and you see two little girls who look like they are 11 years old sticking their tongues out and pulling their bras down and you quit touring. That's what happened to me.
What I realized the moment I got to Oxford was that someone like me could not really be part of it. I mean, I could make a success there, I could even be perhaps accepted into it, but I would never feel it was my place. It's the summit of something else. It's distilled Englishness.
I have very diverse tastes in music, and I don't, like, make distinctions between what I can't and can't listen to. In fact, I could never understand why anybody would do that in the first place. My attitude is, 'I can't make music if I don't like music.'
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