A Quote by Adam Granduciel

I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon.
I usually know the general emotion of a song, or the general feeling of it, and then I think I just get so excited by the act of recording. I love that process so much that I feel like if I knew exactly what I wanted I'd arrive at something too soon. Part of the reason I work on stuff for so long is just because I love working on it. It's not that I'm haunted by some ghost sound. I just have nothing else to do with my life. Some people like to obsessively shop online. I like to obsessively rack up studio bills.
I think minimalism is something I just got attracted to just in general because I like the empty space, if you think about it, like there's a lot of empty space. So there are sounds there, there are chords, like coordinates, to sort of tell you where the emotion is going, but then it leaves so much room for the voice to do other things.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
Adoption was something that was always under my skin, that I knew would be a part of my life, and, when I decided to start filing, it was very clear. It was like I knew that this was exactly what it needed to be. So then you go through the process, and it's tough. It's not the easiest process - and then again, I've never liked things too easy in life. But it emotionally knocks you out.
I'm very concerned with the healing process of a song and music in general. I think that's why I make music - it heals me and I'm extremely sensitive to people who tell me that this or that song made them feel better or helped them go through a difficult time in their life. I think that music is almost medicine. I don't know if that's my philosophy, but that's my thought process.
I wanted to make mini features. And there was a wonderful creative freedom; not necessarily copying the lyrics, but just trying to create emotion. Like the songs, you know? Just like how the song creates an emotion, I wanted the video to create an emotion.
I feel incredibly lucky at this moment in my career to get paid to do basically exactly what I always wanted to do. I appreciate that in general. But you know, like any job, a job is a job, and there are days that are going to be boring, or you have a boss you don't like, or people you work with.
I felt like if I could get the epiphany out of the way in my drafting process, through my eighth or tenth draft, then that can just be part of how I've assembled the character, and then we can move on and move forward with it. In general, I don't ever want to feel smarter than my characters, because I just feel like that's not a great way to write a story.
I've always wanted to sing. I don't think I have a great voice, but I just think that I get the emotion. It's very authentic. Whatever emotion I'm feeling, I can sing it, and you can feel it.
There's a feeling that you get when you write songs where... it feels like it's destined to do something. Then sometimes you get that feeling with a song and it never goes anywhere, that happens all the time too, so you never really know.
I think that as an individual and as individuals in general, if we can't leave the earth feeling like we left something that someone in the future can use then I don't feel like we've served our purpose on this earth in an effective manner.
You know when you're hungry and excited and you feel humble about it? I like that. In the past, when things were not clear, I think I wasn't ... I didn't have my feet on the ground as much, maybe, 10 years ago. So I just feel like this is a good place to be now, to feel that you want to tell stories from this place and that you're excited to tell stories from this place because you know what you love. I know what I love right now.
I still feel like if I can get a song to work with, say, a basic beat, a rhythm, some chord changes, and a melody, a vocal melody - if it works with that, then I feel it's written and there's something there. So I intentionally don't get involved with arranging stuff or fussing over the sounds and the edits and the beats too much, at least not in the beginning, because I feel like then you can fool yourself that you've got something there, when you might not.
I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. That's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.
I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. And that's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.
Just trying to get to know what director Bill Condon wanted. He's a great director and knows exactly what he wants. He knew every lyric to every song; knew where a handicap was.
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