A Quote by Adam Granduciel

That little window like 2004 through like 2010 was probably the most, like most inspiring time of my creative life, for sure. — © Adam Granduciel
That little window like 2004 through like 2010 was probably the most, like most inspiring time of my creative life, for sure.
I realized that most thoughts are impersonal happenings, like self-assembling machines. Unless we train ourselves, the thoughts passing through our mind have little involvement with our will. It is strange to realize that even our own thoughts pass by like scenery out the window of a bus, a bus we took by accident while trying to get somewhere else. Most of the time, thinking is an autonomous process, something that happens outside of our control. This perception of machine-like quality of the self is something many people discover, then try to overcome, through meditation.
I think someone follows me. They do the most random stuff. I get a photo taken through a burger drive-through window and it's like, 'What?'. They always seem like they're six feet away. I don't understand. I'm walking around and I don't see anybody.
Now, I made the most money I ever made in my life with 'Papers' - I think my first check was like $101,000, my folks couldn't even believe. At this time, this is like 2010, I'm still in the barbershop cutting hair, still being the regular Zaytoven because I felt like after 'Papers,' it wasn't going to get any bigger than that.
I know that it's common for creative people to feel like they're profoundly misunderstood but for the most part I don't feel like that. I think most of the time people read my work in the way I intend.
I'm a massive fan of Carnaby Street. I love it there. Every time I have an audition, I like to have a cheeky wander through, do a little bit of a window shop, just to see what's happening. As well as the shops and the clothes, I like the vibe and energy.
Grief is a most peculiar thing; we’re so helpless in the face of it. It’s like a window that will simply open of its own accord. The room grows cold, and we can do nothing but shiver. But it opens a little less each time, and a little less; and one day we wonder what has become of it.
Fame it's like... When you look through a window, say you pass a little pub, or an inn. You look through the window and you see people talking and carrying on. You,can watch outside the window and see them all being very real with each other. But when you walk into the room, it's over. I don't pay any attention to it.
Your personal life, your professional life, and your creative life are all intertwined. I went through a few very difficult years where I felt like a failure. But it was actually really important for me to go through that. Struggle, for me, is the most inspirational thing in the world at the end of the day - as long as you treat it that way.
Prose is like a window; fiction is like a door. But it is not uncommon that he who should come in through the door jumps in through the window.
I was kind of a tough girl. And I guess that came through, like, moving around, my parents getting a divorce, different step-families, and stuff like that. I'd been through a little bit more than most people who are just from Laguna Beach.
I feel with writing, so much of the time, I don't know how to tap in and be spontaneous and alive on a daily basis. So I don't write every day. I'm just not disciplined, and I can't be in the groove most of the time. I feel like I'm in the groove ten days a year or something. But with reading and research, I feel like I have this incredibly instinctive pleasure-driven process that ends up working out for me and inspiring me. It's almost like a maze, like I know eventually I'll hit the heart of my play if I read enough books.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like why aren't I happier? With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
I'm trying to figure myself out through my movies. Whether it's big stuff like what we're doing here, or little stuff like, 'Why aren't I happier?' With every film I feel like I'm apologising for something. I feel I'm most successful when I'm looking for something that embarrasses me about my character that I'd like to expose.
Just like medicine anywhere else, I get to walk through life with people in the midst sometimes of their most difficult and challenging circumstances they've faced - a terminal diagnosis, bad news, poor prognosis - and also the most joyful times with people, like the birth of a new baby.
I am sure the man who powders most, perfumes most, embroiders most, and talks most nonsense, is most admired. Though to be candid, there are some who have too much good sense to esteem such monkey-like animals as these, in whose formation, as the saying is, the tailors and barbers go halves with God Almighty.
I will always desire to play with Bruce Springsteen. He's the most inspirational, most dedicated, most committed and most focused artist I've ever seen. I like to be around people like that.
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