A Quote by Adam Granduciel
I think where a lot of the stuff came from is that it started as something else and then it was transformed into something that worked in the context of a song that I might have been working on.
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You start to think in terms of making an album that might be greater than the sum of its parts. It's sort of like having a lot of footage and then editing it into something that will make sense to a viewer, you know. Sometimes it might involve even working on an older song that might complete that picture.
It's always been important to us to be original, which sounds really easy when you say it. Everyone says it all the time, but it's actually not that easy to be original. It's also something scary because if you're doing stuff that doesn't sound like anything else, I think a lot of people get scared of that. A lot of people tend to follow instead, they wait for something else to do something new and then they follow that. We just don't like to do that.
You do stuff that gets a reaction and you think 'that's a winner' and then it never sees the light of day. But the thing with improvisation is that 90% of what you come up with won't be used and for good reason. But you keep going for the occasional gem that you might come up with. You do a scene and a lot of the time. We wouldn't cut. So, you come up with something that might be funny and then you go, 'alright, what else'? So, you kind of throw stuff against the wall and see what happens. But you've got to be prepared to make a fool of yourself.
It's really daunting when you have just spent a lot of time on something to think about tossing it out. But once you've started something better that's working right, then it's pretty easy to let the first one go.
When I first started performing, some people were there just out of curiosity. I think that happens less often then you'd think, but when it is happening it's very obvious and I can tell what's going on. I had some of that in the beginning, but I think that ultimately I got a pretty strong fan base based on just my personality alone, and my honesty, my music. So it wasn't based on anything else, and I did notice if someone else came looking for something else, they'd probably leave, or complain it was too loud or something.
I started working as a kid doing dubbing, and then I started doing television when I was 11 or 12, and then movies, and I worked mostly in French, and then I started working in English, and then I moved to New York. So I think I managed to find a way to always make it a challenge for myself.
The best way to write a song is to think of something else and then the song kind of creeps in.
We mapped out the whole movie, and then worked backwards from that to do these shows. It might not be a movie. It might be something else.
Sometimes I might borrow something from a song I started a long time ago and see if I can grab something.
It keeps me moving when I see people doing stuff that I see as "my" direction. I think, "Oh, it's been tainted. Now I've got to do something new." There's nothing worse than working on your own stuff and thinking that someone else is following you along.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.
I hope that young girls will have the dream and will have experiences. And it might not be in swimming. It might be in something else. But I found a passion, and I love it. It's something I love and something I enjoy. It's something I'm good at. And it's what I have been able to give 100 percent to.
I started out doing production work on promos, stuff like that. I didn't think it was cool to be working for NPR. I didn't need anything to be cool. I just wanted something to do that would be interesting. It was fun. I didn't think of it as anything else but fun.
As a rule, with me an unfinished [idea] is a thing that might as well be rubbed out. It's better, if there's something good in it that I might make use of elsewhere, to leave it at the back of my mind than on paper in a drawer. If I leave it in a drawer it remains the same thing but if it's in the memory it becomes transformed into something else.
"Diamonds & Rust" started off as another song. Then the words started to morph. When you write a song that deep, the words come from some place else. But when the songs stop coming, it would be so contrived to try and force it. Since then I've just been doing other people's music.
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