A Quote by Adam Granduciel
There's a lot of older musicians who say your whole life making music, you're really trying to get back to that first couple of things you liked when you were a kid. And as much as you might like to think you're not, you really are.
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In the mid-1980s to the early 1990s I was writing songs not because I particularly liked what I was doing, but because I was desperately trying to get back into the charts. I really didn't enjoy it. I didn't like the music I was making, I wasn't proud of it, like I have been before or since.
I'm just really trying to say what I really mean, which is: 'Your eye's on the prize, your eye's on the future. It's nice to know that a lot of wonderful things have happened to your life and that so much of it has been successful. That's great, but the work is really what makes it fun - and that has to be the future.'
It's often said that God works in mysterious ways. You have to really think about what He's trying to do. You can't be lazy and believe in God; He doesn't make it that easy. It takes spirit and faith and passion to really believe. Like most things worthwhile in life, you get back what you put into it. Only with faith, you get back a lot more.
I think, one thing that I've really come to appreciate about my parents as I've got older is you know, how wise they really were. As a kid when I was growing up, as any kid, you think you know every thing and I was no different to that. I had different opinions on a lot of different things then them but the way they raised me, in hindsight, they were right.
I was very small when I started making music. I think the first song might have been when I was, like, in grade one, maybe? It was really ironic, cause it was a kid talking about taking time with growing up.
People thought I was a really raw rapper that hated everything - a really sour person - but really I'm just a good, all-around music-making kid and I'm really happy. That really, I feel, painted my image to a lot of people. My music now, some people get sour over it because it's really happy, it's poppy, but I'm just telling them that that image from way back then was me feeling uncomfortable and now I'm comfortable.
There were [in Wilson] a lot of clues in it that you don't normally get, you know, normally you use your imagination or whatever, you get some clues in the script, of course, but yeah, it was really helpful, and I really like the graphic novel. There's stuff in there, there's a couple things in there I really wanted to use that they couldn't get in the movie, but it's definitely, he's a unique guy, you know, I never read a character like this before.
At first, I found the music I was making really hard to find a home for. I felt like my attitude was really British, but not the actual sounds I was making. Back in 2003, when I made 'Galang,' there were no clubs that had an 'anything and everything' attitude.
I really don't see the point of making music if you don't love it, and I'm lucky enough to say I love my music, and love the things I've made over the last couple of years and they bring me so much joy.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
You spend most of your life working and trying to hone your craft, working on your chops, working on your writing, and you don't really think about accolades. Then you get a bit older and they start coming your way. It's a nice pat on the back.
I was a really, really serious kid. And a really kind of controlling kid. Like I had things that, now, people would say are like - there's a name for many disorders as we know - but I would say, "If I pick this rubber band, then this will happen." It was that kind of want to control things, which I think all kids have to some extent.
A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
It took me a long time to figure out that I didn't have to do everything, that it was actually a lot more helpful if I did a couple things really, really well than a whole bunch of things really badly, or nothing at all, because the whole thing was overwhelming.
From a young age I was really into pop music because I had these two older sisters who were into it, and I wanted to be like them. They liked Wham! and so I was really into them too.
I think that it feels really good to be recognized in a sense of being nominated for Grammys and things like that, but part of it is, we spent a lot of time on our own making music: seven or eight years and nobody really paid attention. It feels good. We also learned to not pay too much attention to things like that, and I think it made us stronger.
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