A Quote by Adam Hochschild
I think writers can respond by writing about the refugee crisis, by looking at problems faced by migrants, by trying hard to portray them as the human beings that they are.
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In 2013 we had never faced a crisis like the Syrian refugee crisis now. Up until that point, a refugee meant someone fleeing oppression, fleeing Communism like it is in my community.
While much attention was focused on Germany during the 2015 refugee crisis, in which more than a million migrants from the Middle East and Africa entered the continent at the behest of Angela Merkel, the country that admitted the most migrants per capita was Sweden.
The writers are writing human beings, and they're writing about the human condition and how difficult it is to function in that condition. I think it's one of the charms of the show, the idea of redemption and working towards becoming better people, for everybody involved.
I am not attracted to writers by style. What style do Dickens, Grass, and Vonnegut have in common? How silly! I am attracted to what makes them angry, what makes them passionate, what outrages them, what they applaud and find sympathetic in human beings and what they detest about human beings, too. They are writers of great emotional range.
The problems faced by writers of color are analogous to the problems face by women writers.
We've been talking about the Syrian refugee crisis a lot, in the news in the U.K. and possibly the U.S., but it isn't the only refugee crisis that is happening at this minute. There's something like 22 million refugees in the world. There are people from Eritrea, Afghanistan, Syria, and so many other places where people are living in complete turmoil.
The big, radical thing that I'm trying to do is to portray Latinas as complex human beings.
Prisons do not disappear social problems, they disappear human beings. Homelessness, unemployment, drug addiction, mental illness, and illiteracy are only a few of the problems that disappear from public view when the human beings contending with them are relegated to cages.
Jazz is really about the human experience. It’s about the ability of human beings to take the worst of circumstances and struggles and turn it into something creative and constructive. That’s something that’s built into the fiber of every human being. And I think that’s why people can respond to it. They feel the freedom in it. And the attributes of jazz are also admirable. It’s about dialogue. It’s about sharing. And teamwork. It’s in the moment, and it's nonjudgmental.
One of the things that I tell beginning writers is this: If you describe a landscape, or a cityscape, or a seascape, always be sure to put a human figure somewhere in the scene. Why? Because readers are human beings, mostly interested in human beings. People are humanists. Most of them are humanists, that is.
Human beings have a lot of problems identifying themselves with other human beings who don't resemble them exactly. But there's something about drawing that means that anyone can identify to a drawing. I mean, people can identify themselves with Donald Duck and Mickey Mouse.
I have a hard time writing. Most writers have a hard time writing. I have a harder time than most because I'm lazier than most. [...] The other problem I have is fear of writing. The act of writing puts you in confrontation with yourself, which is why I think writers assiduously avoid writing. [...] Not writing is more of a psychological problem than a writing problem. All the time I'm not writing I feel like a criminal. [...] It's horrible to feel felonious every second of the day. Especially when it goes on for years. It's much more relaxing actually to work.
I love writing about black women, but if you go beyond that, we're human beings - and because we're human beings, it's universal for everybody.
A pioneer in this genre [ writing about the refugee crisis] : the book A Seventh Man, by the great John Berger, decades ago evoked the lives of migrant workers in Europe.
Angela [Merkel] and I also agreed the need for a comprehensive and humane response to the devastating humanitarian crisis in Syria and for the influx of migrants and refugees from around the world. We need to build on the progress achieved at the U.N. Refugee Summit, which yielded new commitments from some 50 nations and organizations.
Migrants are an asset to every country where they bring their labour. Let us give them the dignity they deserve as human beings and the respect they deserve as workers
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