A Quote by Adam Hughes
I'm still awaiting the idea of drawing comics for a living being a reality. I feel like I've been dodging work for 20 years, and at some point, I'll have to get a real job.
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Alfred Hitchcock talked about planning out his movies so meticulously that when he was actually shooting and editing, it was the most boring thing in the world. But drawing comics isn't like shooting a movie. You can shoot a movie in a few days and be done with it, but drawing a comic takes years and years... That's the biggest part of doing comics: You have to create stuff that makes you want to get out of bed every morning and get to work.
I think there's always been a little performer in me. But having a family that are Jamaican immigrants, having this idea that, 'Oh, that's what you're going to do for a living?' seems kind of out of reach and not a reality. It's like, 'get a real job.'
At some point, all comics have to go out and be retail salesmen doing door-to-door. And this idea of somebody who totally knows their craft having to get up for free in front of a crowd to work out some stuff they're thinking in their head, still, after as much success as you can get, is really interesting.
[Robert Downey was being singled out for] selective prosecution. He's a sweet guy who never did harm to anyone except himself. He's been doing drugs for 20 years and functioning for 20 years, and in those 20 years there've been hundreds of people who've been getting high constantly and behaved very destructively and have not been arrested. Robert's real problem is he gets caught.
I like photography because it is a reality medium, unlike drawing which is unreal. I like to mess with reality...to bend reality. Some of my works beg the question of is it real or not?
A lot of the writers I've known for 20 years, who used to say, 'Maybe they're right - the novel is dead!' - well, now they don't feel that it's necessarily the biggest job or most sacred calling on the planet. But it's definitely a real thing - it's always been here, always will be here, and one might just as well buckle down and get to work.
I don't even know what a traditional producer is or does. I feel like the job is like being a coach, building good work habits and building trust. You want to get to a point where you can say anything and talk about anything. There needs to be a real connection.
And there certainly could be a softening, because we're not looking to hurt people.If you have somebody that has been in the country for 20 years, has done a great job, has a job, everything else, OK, do we tell these people to get out, number one? Or, do we work with them and let them stay in some form?
I can earn more in a single weekend of convetioneering than I would in an entire month drawing comics. And I get a pretty high rate drawing comics.
Reality television is to television what marble and gold are to real estate. The point is to dispense with the idea of taste. It's all id. The more unrestrained the better. We all know that 'reality' in reality television is not real. That anybody who would participate in reality television is a fake. But pretending otherwise makes them real.
I do like our young talent here, but it needs to get better. And we need some better veterans if we can go out and get them. We all get discouraged by losing. I sit there every game and see the little things that happen and you feel like they cost you games. But the reality is that we are still some time away from being what I hope we can be. And that's going to take some good decision-making on our part.
Meanwhile, I get to make an album. I feel like I've been very lucky. There is a guilt when I see people I know who work really hard, then I'm like, "Oh, I've got to do an interview today." I'm so appreciative of all of this, but it does feel like the bubble will burst at some point and it will all have been a dream.
It just feels good to know the work I did, people like it and love it - and continue to like and love it. It makes me feel real good that, after 20 years, 'Regulate' is still in heavy rotation all over the United States and all over the world.
I like to have fun at work. It's okay if I don't. I've had that a few times. But generally, I'm someone who has a lot of fun at work, because I like my job. I think it's a fantastic job, at least that part of it is a fantastic job. And I like to have fun, and I personally feel that whether you're talking about the cast or the crew or the director or any combination thereof, that when people feel involved and comfortable and they feel like their work is being supported, that's the best environment to do good work.
There was a point where if you had told me I was going to be a national morning anchor, I would probably have been terrified. But now, I feel prepared. I've been in the business for almost 20 years now. I'm almost forty years old and I've been doing this for a long time, so I felt like, "Okay, I'm ready to do this."
Even after nearly 50 years in this business, I still feel like I'm lucky every time I get a decent job, but an opportunity to work with people of that ilk.
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