A Quote by Adam Hughes

I think all children draw, as soon as they figure out the thumb and can grab crayons. The only difference with people like myself is that we never stopped drawing. — © Adam Hughes
I think all children draw, as soon as they figure out the thumb and can grab crayons. The only difference with people like myself is that we never stopped drawing.
I've been drawing as long as I can remember. I think all children draw as soon as they figure out the thumb and can grab crayons. The only difference with people like myself is that we never stopped drawing.
I tend to write first thing, and then do my drawing later. I like to draw at night. But often I go for long stretches without drawing, because I'm trying to figure out what I'm writing.
I would like to say to children, 'Don't stop drawing. Don't tell yourself you can't draw.' Everyone can draw. If you make a mark on a page, you can draw.
I don't draw every day. I tend to draw intensely during certain periods of time. I draw to amuse myself on occasion, when I am bored and drawing is the only fun to be had.
With the art therapy, as soon as they saw the paper and crayons coming, we couldn't get it out fast enough. And we told them to draw about the tsunami.
I used to get people criticizing me for drawing so many women with gorgeous idealized bodies, but I pointed out that I draw a lot of men with muscular bodies, washboard abs, and enormous wangs, and they never got criticized. So those criticisms have stopped.
I was taught to draw very well when I was in school at Boston. And I grew to enjoy drawing so much that I never stopped.
I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.
I like garage band for writing because you only have crayons and there are only five crayons in the box. Your choices are limited and I find that to be very good for me.
As far as CGI and hand-drawn animation, I consider them both nothing more than tools for drawing pictures, the same as crayons or oils. Which is why, to me, the most important thing is what it is you are drawing, and in the themes that I depict, I think hand-drawing is the most effective.
One of the things I teach my children is that I have always invested in myself, and I have never stopped learning, never stopped growing.
If I am just, like, on a run by myself, I've never been stopped. Even if I'm at Target buying my own action figure, people would not believe that it's me. I actually was like, 'This is me!'
Hand any four-year-old a fist full of crayons, and it is a very, very few who don't get busy with them, drawing, coloring, scribbling. I have not stopped scribbling.
I usually only draw myself in down periods... I suppose that's why I often draw myself looking grim. I just think, 'Let's have a look in the mirror.' When you are alone and you look in a mirror you never put on a pleasing smile. Well, you don't, do you?
I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
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