A Quote by Adam Hughes

That's a comic cover's job: Attract someone's attention and persuade them to try the issue out. — © Adam Hughes
That's a comic cover's job: Attract someone's attention and persuade them to try the issue out.
A great comic-book cover occurs when it gets a potential reader to pick the book up and start thumbing through it. That's a comic cover's job: Attract someone's attention, and persuade them to try the issue out.
My job is to cover the hell out of the story, very aggressively. The real place to be courageous if you're a news organization is where you put your people to cover the story. It's making sure that you have people going to Baghdad. It's making sure that you figure out how to cover the war in Afghanistan. While the journalist in me completely stands with them, the editor of the New York Times in me thinks my job is to figure out what the hell happened and cover the hell out of it, and that's more important than some symbolic drawing on the front page.
I've never interviewed anyone where I set out to try to persuade them to reveal something. Instead, it's about creating a space that allows someone to be authentic without judgment on my part.
It's Not My Job To Try To Persuade People To Love Me, It's Only To Try To Make Them Love The Music
Once I could persuade these guys that all I wanted to hear from them was what they did - Tell me what you do - once you can persuade someone that this is all you're after, you can't shut them up because we're all fascinated by what we do.
My job is to kind of nudge them. Who said it, where, like, '90% of the job is casting,' so all I do is try to come to set and focus on getting all the best shots to cover the story; that's really it.
You have to give people more than one chance. We hire people in job A, and if it doesn't work out, we try them on job B. We'll generally give them three different tries. You have to be more committed to training, but you know they have the right stuff because someone you think highly of has recommended them.
There is always a reverence issue, and I'm no different from any audience member that if someone's adapting a book or comic that I like, I really don't want them to screw it up.
The first comic book I ever read was an issue of 'Legion of Super-Heroes' where the earth was surrounded by all of these chains. I remember the cover; I got it at a birthday party.
I just tend to admire people who go for what they believe in, like David Lynch for example, and just say what goes through their heads, and are not afraid of people not accepting them. I have no respect for people who deliberately try to be weird to attract attention, but if that's who you honestly are, you shouldn't try to "normalize yourself". It's a fine line.
Even when he was just a reality-TV star, Trump was the kind of star who got a cover story in 'Time.' But that wasn't true. The 'Time' cover is a fake. There was no 1 March 2009 issue of 'Time' magazine. And there was no issue at all in 2009 that had Trump on the cover.
I think the oldest comic I got when I was a kid was an issue of 'World's Finest' - it had a Neal Adams cover with Batman where he had turned into a bat, and he was attacking Superman.
I try to come to my reporting as a real, whole person, not an automaton. And it's always one of the strange discomforts of the job, that you're in this very intense moment in someone's life - you're engaging with them nonstop - and then suddenly your piece is out and that's done. It always reminds me that the journalist's job isn't to be someone's friend, or their psychologist, or anything other than what we actually are. And at the end of the day, that can definitely seem like such a strange, extractive relationship.
A woman should dress to attract attention. To attract the most attention, a woman should be either nude, or wearing something as expensive as getting her nude is going to be.
Myrnin to Claire: "If anyone comes to bite you while I'm gone - well, try not to attract attention. Die quietly.
As a director, your job can range from having to lean on someone to get a performance out of them, to someone being so built for the part that all you have to do is make them feel confident and comfortable and assured of what they're actually doing, and you just wind them up and watch them go.
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