A Quote by Adam Jones
I never thought 'Stairway to Heaven' was a long song. I loved how there was this part and then there was another part that was completely different.
Related Quotes
If you thought Stairway to Heaven was a long song, dear god you should listen to it played on a lute.
Inspiration and stealing are two completely different things. If somebody wants to make a song like "Stairway to Heaven" and writes a song on acoustic guitar, Led Zeppelin does not own every song that's on acoustic guitar for the rest of time.
We'll have a part and it's clearing up, so you think something is going to happen and it totally stops and does something completely different and then the part you thought was going to happen comes out of completely nowhere.
You can see the cruelest part of the world, the cruelest part. But then on the other side, you see the most beautiful part. Do you know? It's like you go from one extreme to the next. And they're both worth it because you wouldn't see the one without the other one. But that cruel part is damn cruel and you'll never forget it. But that heaven is heaven.
I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.
(`Stairway to Heaven' is) a nice pleasant, well-meaning naive little song, very English. It's not the definitive Led Zeppelin song. `Kashmir' is.
Never, never, before Heaven, have I thought of you but as the single, bright, pure, blessed recollection of my boyhood and my youth. Never have I from the first, and never shall I to the last, regard your part in my life, but as something sacred, never to be lightly thought of, never to be esteemed enough, never, until death, to be forgotten.
I'd break out in hives if I had to sing (`Stairway to Heaven') in every show. I wrote those lyrics and found that song to be of some importance and consequence in 1971, but 17 years later, I don't know. It's just not for me. I sang it at the Atlantic Records show because I'm an old softie and it was my way of saying thank you to Atlantic because I've been with them for 20 years. But no more of `Stairway to Heaven' for me.
I don't think you ever write a song with any intention except the song's about such and such per say ... we've never written a song and thought 'oh it'd be great if in this part this happened in the audience'.
Every part of every song can have a totally different musical sound, because otherwise if I wanted to go from a verse of one song to the chorus of another, I'd have to go: "Uh, okay, press that pedal and then... press that pedal, and then press that pedal off."
So 'Heaven On My Mind' is a song I would never have thought about writing. But I really loved the concept knowing there is a light at the end of the tunnel.
I'm up for doing a part if I thought the part was right and the people want to consider me for a part. If I thought the part was absolutely exciting... I would go for it.
I never thought I would be one of those wacky chicks who say, 'I loved my labor,' but I loved every part of it. It was the best day of my life.
'Are 'Friends' Electric?' was two songs: the verse part and the talking part. Two different songs I couldn't finish. One day I was playing the main verse part of 'Are 'Friends' Electric?' and after a few minutes I got frustrated, as normal, then started to play the other song, and realized they went together.
One of the facets of growing up the way I did, I never had the experience of being solely in the black community. Even my family, my mother is what they call Creole, so she's part French, part black, and grew up in Louisiana. It's a very specific kind of blackness that is different than what is traditionally thought of as the black community and black culture. So, I never felt a part of whatever that was.
Long hair is considered bohemian, which may be why I grew it, but I keep it long because I love the way it feels, part cloak, part fan, part mane, part security blanket.
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