A Quote by Adam Lambert
There's a certain level of pageantry with 'Idol,' and in order to work the show, you kind of have to feed into it.
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I'm proud of everything I achieved with 'Idol,' and away from 'Idol' also. It's just such a different show now to what it was when I was on it. I didn't even know it was a TV show until the third audition.
A lot of times, professional athletes say, 'I'm not a role model; I'm an athlete.' I don't mind being a role model because I know what I've done in order to make it to where I am right now. It's a lot of hard work; it's a tremendous amount of hard work. But in order to be make it to a certain level, everybody knows it's going to take time.
To feed the hungry, clothe the naked and shelter the harborless without also trying to change the social order so that people can feed, clothe and shelter themselves is just to apply palliatives. It is to show a lack of faith in one’s fellows, their responsibilitie s as children of God, heirs of heaven.
I wouldn't be able to compare 'X Factor' and 'Indian Idol' as I wasn't a judge on the former. But there will never be another show like 'Indian Idol' as Indians connect with the struggle, pain and victory of a regular person on a show that allows them to choose the winner.
I just want to show that you don't have to be changing yourself 100 percent to be someone that you're not. You don't have to change yourself to be someone like your idol. You can be someone's idol just by being you. But also, it takes a lot of work and time to be that sort of person.
If you work with such people almost on the level of spiritual direction, you see that they are people who prefer a world view of order and even punitiveness. And for some reason, there's a feeling that the male psyche is going to give that to them. And if that's your view of religion, which it is for many people, if they've never come to the mystical level, religion is for social order and to maintain social order.
As an artist, you need to be not at all entitled in your relation with the work. So money is kind of worrying. You can start to expect things if you're used to a certain level of comfort.
Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.
The mother has to have enough food in order to produce enough milk in order to breast feed, but she has to know that she should breast feed. That's an education issue.
It was a pleasure to work with everybody at 'American Idol' and to be able to be part of the 'Idol' family.
'Idol' was groundbreaking television. I am very fortunate to have won the show at the time. 'Idol' changed my life, and I am thankful.
Social media has definitely revolutionized or transformed the world of pageantry, and not just pageantry, but any social cause that we like to lend our voice to, how we inform each other, how we connect.
I think it's really hard to say now what makes a show kind of sink or swim, and what creates longevity. For instance, I think that Survivor is a very well produced show. It's very simple, it's very elemental, and I think it gets into big issues. I think American Idol has been an amazing show for many, many seasons.
There's a myth among amateurs, optimists and fools that beyond a certain level of achievement, famous artists retire to some kind of Elysium where criticism no longer wounds and work materializes without their effort.
A life lived in chaos is an impossibility for the artist. No matter how unstructured may seem the painter's garret in Paris or the poet's pad in Greenwich Village, the artist must have some kind of order or he will proudce a very small body of work. To create a work of art, great or small, is work, hard work, and work requires discipline and order.
I think nothing can be taken for granted - be it the fact that you get to work with a certain kind of talent, certain kinds of budgets, or that the audience looks forward to your work.
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