A Quote by Adam Lambert

I've sung other people's music all my life. — © Adam Lambert
I've sung other people's music all my life.
I want my music, whether it's sung by other people or sung by myself, to affect the way the Top 40 radio sounds. I want to heavily influence it with things that have come directly from my brain.
I decline to discuss, under compulsion, where I have sung, and who has sung my songs, and who else has sung with me, and the people I have known.
My whole life, I've sung and listened to music, and since the beginning, I've had iTunes and used Apple Music for streaming.
I've sung my whole life. I've taken lots of voice lessons and I love to sing. But I've never really sung professionally at all.
Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.
I believe when the music is being sung or being played, at the end of it, there's some sort of grace and understanding. And that's all I want for humanity. I just want us to understand each other. That's the point of my music.
When writing music for the 'Kaddish,' I evoked the prayers that were sung in Eastern Galicia, Ukraine and Romania. I was advised by my late friend, Boris Carmeli... He would sing me various melodies that were sung by his grandfather, thus they had to be at least as old as the mid-19th century.
Music, in its higher state, for me, is worth living and dying for. It's worth traipsing around the globe, it's worth the accolades and the other side of the accolades...I always have sung to the angels and the higher parts of people's souls.
Yeah, I've always sung, and I always try to find a way for music to be in my life.
There's so much you can do with laying words on a bed of music. You can completely change their meaning with the type of music or the way they're sung.
I started off as a mimicry artist, have sung 'Gaana' folk music and popularized pop music in the South before I got into acting.
The little song and dance number at the end - that's me, my voice, howling out. It was a new experience for me. I've never sung before and I've certainly never sung on screen. I think I sung on stage when I was 13 and for some reason nobody's asked me to try it again since.
I'm a composer, music director, singer and performer. So it is a Bollywood rule that people don't know who has sung a song and whether your voice will be chosen.
Singing 'Blowin' in the Wind' all the places we've been, it takes on a different meaning everywhere. When you sing the line, 'How many years can a people exist, before they're allowed to be free?' in a prison yard for political prisoners in El Salvador; if you have sung it to a group of union organizers, who have all been in jail, in South Korea; if you've sung to Jews in the Soviet Union who have been refused exit visas; if you've sung it with Bishop Tutu protesting apartheid, the song breathes, it lives, it has a contemporary currency.
On 'Love Letters' I focused exclusively on sung music, creating a collection of songs that directly address heartbreak and its ensuing emotions in a way that instrumental music can only hint at.
I have sung, but I haven't sung in any way that I would ever call myself 'a singer.'
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