A Quote by Adam Lambert
A lot of my male vocal influences are British - people like David Bowie, Freddie Mercury and Robert Plant.
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There are so many different people that I've emulated vocally. In the rock world - Sebastian Bach, Vince Neil, Freddie Mercury, Robert Plant. They all had amazing vocal talent.
I like a lot of older rock 'n' roll artists, like legends like Freddie Mercury and David Bowie. They really influenced me to be very, very androgynous and very commanding, and very very - I wouldn't say odd, but I would say eccentric.
I can make music out of anything. Even that phone ringing, I could sample that. I grew up listening to Missy, Britney, Kelis, Lil Kim, Grace Jones, all the eccentric, out-there women. And men like Freddie Mercury, David Bowie. Those are my peopledem.
Freddie Mercury and Elton John are, like, two of the biggest Influences in my whole life. And probably always will be.
My favourite song is Someone To Love. That is more like me than the other stuff, as it was the only one I was actually able to create from the bottom up. I call it an homage, not a remake. It is an homage to Freddie Mercury, because I don't think people can really remake Freddie Mercury. That's why we did a gospel version.
I don't think we ever sat down in the early days and said "hey lets be a band that wears make up". I think it was just natural for us. We grew up loving stuff like Alice Cooper, Kiss, The Misfits, and the more theatrical stuff. I always loved rock stars. I loved David Bowie and Freddie Mercury, and these people that were larger than life and iconic. I think that is what we always wanted to do.
Only Freddie Mercury could do Freddie Mercury. He was absolutely brilliant - I loved him to pieces, and I had a great deal of respect for him.
David Bowie used to cover loads of people, and there was an element of "David Bowie did it, so we wanted to do it," because we're kind of obsessed [with him].
I have two sons, and at 16, they were into Zeppelin, Pink Floyd, David Bowie, and a lot of British rock.
Every band should study Queen at Live Aid. If you really feel like that barrier is gone, you become Freddie Mercury. I consider him the greatest frontman of all time. Like, it's funny? You'd imagine that Freddie was more than human, but... You know how he controlled Wembley Stadium at Live Aid in 1985? He stood up there and did his vocal warm ups with the audience. Something that intimate, where they realize, 'Oh yeah, he's just a f***ing dude.'
I didn't love David Bowie. Sure, I loved a lot of his songs, like everybody else, and, like everybody else, I had an incarnation of Bowie that I loved best - in my case, the solemn 'art-rock' Bowie of the late Seventies.
I was in L.A. with my wife in a restaurant, and I spotted my great hero David Bowie at another table. Of course I wasn't going to bother him. Then I felt a tap on my shoulder, and it was Bowie, and he squatted down to talk to me. David Bowie came down to my level - so gentlemanly.
David Bowie has always been my vocal inspiration ever since I was a child.
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
I knew about things like Iggy Pop and The Velvet Underground, weirdly, before I knew about David Bowie. I didn't know what David Bowie was, when I was a kid. I thought he was like Visage.
My songwriting is so influenced by orchestrated music, dramatic, super glam rock-y stuff. Two of my biggest influences in songwriting were Elton John and Freddie Mercury.
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