A Quote by Adam Mansbach

It's hilarious to me that by writing an obscene fake children's book I am mistaken for a parenting expert. — © Adam Mansbach
It's hilarious to me that by writing an obscene fake children's book I am mistaken for a parenting expert.
What difference, if you are mistaken? For if I am mistaken, I am. For he who is not, assuredly cannot be mistaken; and therefore I am, if I am mistaken. Therefore because I am if I am mistaken, how am I mistaken that I am, when it is sure that I am, if I am mistaken.
When I'm writing a book - say I'm going to write a parenting book. I'll go out and buy the 100 top parenting books and I will read those, not so I can copy them for sure.
The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.
Even though my entire writing persona is prefaced on me not being an expert, I kind of am an expert. I know a lot.
I am no expert on parenting.
I'm not a parenting expert. In fact, I'm not sure that I even believe in the idea of 'parenting experts.' I'm an engaged, imperfect parent and a passionate researcher. I'm an experienced mapmaker and a stumbling traveler. Like many of you, parenting is by far my boldest and most daring adventure.
I realize that of all people, I am no expert on parenting or marriage.
There's a fake Facebook me. There's a fake me Twittering. Sometimes, when it was at the height of right-wing nonsense picking on me, there would be a fake me writing letters to the editor. Just totally not even something I've ever said, that will then become part of the echo chamber.
Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.
I prefer to not be feeling like I'm having to be fake about things that are the most dear to me in terms of writing, which is something related to my own, personal writing. I mean, I've done tons and tons of fake writing.
I am a middle-aged opera queen in loafers that makes out I am a 16 year old death metal skater... It's all fake! My hair is fake, my body is fake and my teeth are kind of fake
I began attempting to write for children under the mistaken assumption that writing for children was easy.
If it's not good enough for adults, it's not good enough for children. If a book that is going to be marketed for children does not interest me, a grownup, then I am dishonoring the children for whom the book is intended, and I am dishonoring books. And words.
I didn't write with a target audience in mind. What excited me was how much I would enjoy writing about Harry. I never thought about writing for children - children's books chose me. I think if it is a good book anyone will read it.
Suddenly, one day, there was this thing called parenting. Parenting was serious. Parenting was fierce. Parenting was solemn. Parenting was a participle, like going and doing and crusading and worrying.
People ask me if I ever thought of writing a children's book. I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.
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