A Quote by Adam McKay

As far as how much you listen to the audience, you listen to them when they really hate something. — © Adam McKay
As far as how much you listen to the audience, you listen to them when they really hate something.
I used to not listen that much, but I've really learnt to listen to other people and to really listen to what they're saying. I've found, especially being on a film set, people have so many different stories; if you just listen, you can pick up so much stuff. I try to listen as much as I can.
I'm still learning about music. The best way to learn is to listen to the audience. When you listen to the audience, they will tell you what they like. I wish these big corporations, instead of telling the audience what they should have, would listen.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
My taste changes radically all the time, and I listen to whatever feels good. Another thing is that I'm in the studio so much of the time, and I listen to so much loud, aggressive music for work, that for pleasure, I'll listen to something else.
I catch as much hell from the hard-core conservative people as I do the far left. The only difference is that the far right don't bring the hate to the table that the far left does. And that's my party. They just deal in so much hate. I mean the far left, not the Democrats, the far left really deal in hate, hate, hate, hate, hate.
I listen to so much, I listen to a lot of reggae. Obviously I listen to hip-hop, that's what I make. I listen to soul. I love jazz. I love all types of music.
There was a lot that was tricky about playing with [Thelonious Monk]. It's a musical language where there's really no lyrics. It's something you feel and you're hearing. It's like an ongoing conversation. You really had to listen to this guy. Cause he could play the strangest tempos, and they could be very in-between tempos on some of those compositions. You really had to listen to his arrangements and the way he would play them. On his solos, you'd really have to listen good in there. You'd have to concentrate on what you were doing as well.
I'm not really a big Springsteen guy. I'll listen to the music, but ... I didn't really get attached to it as much as, like, country artists. That's really who I listen to.
Sometimes I listen to a beat and I think its so dope and I don't know what to bring to that. And some beats I listen to and I just love them as instrumentals and I listen to them when I'm riding around.
I tend not to listen. When I'm listening to records, I don't listen to much new wave stuff, I tend to listen to the stuff I used to listen to a few years back but sort of odd singles.
What I learned is, we have to listen to each other, even when we don't agree, even when we think we hate each other. We have to listen to each others narratives. Not interrupt defensively, or with hostility, but really try to open our hearts and listen with empathy. I learned so much from that meeting. It was a very difficult thing to do and it was one of the best things that I ever did in my life. Look what scares you in the face, and try to understand it. Empathy, I have learned, is revolutionary.
When I listen to a record, or when I'm making a record, I listen to everything. I listen to the drums, the bass, the voice, the arrangement. I listen to the whole piece as an ensemble. I don't only listen to the guitar player.
A lot of painters listen to music, I think, while they paint. But I hate to do that. It's a horror. I can't really listen to the music. I'm not really concentrating on it, and I'm not really concentrating on the painting.
I listen to a lot of songs, and they aren't talking about anything. I don't connect with them. I'll listen to something like Musiq Soulchild's 'Just Friends,' and I'm like, 'Wow, I really feel what he's talking about.' That's how I want people to feel about my music.
Well, I do listen to God for direction, but I really don't have time to listen to other artists all that much.
When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
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