A Quote by Adam McKay
Having a guy on a microphone yelling lines at you is counter to a lot of acting techniques.
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Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself, you don't need those techniques.
Everyone seems to think they know what acting techniques are. Techniques just help you get to a certain place, but if the thing is happening just by itself you don't need those techniques.
Acting is the only medium were people think they can just stand up and do it because they can say lines, but that is not so much the case. You have to study styles and techniques.
I'm not imprisoned in any one medium. In films I use techniques that are not necessarily what other directors attempt. When I write novels I also use techniques which can run counter to those that a novelist would use.
No matter what kind of significance leads you do, you learn a lot from doing schlock. The setup's the same, only you have to work twice as hard to make it the best as you can make it. And a lot of acting is not about acting but technology. Are you standing in your light? Are you out of your light? And if the sound guy's near you, please don't put the coffee cup down at that moment, because you're covering your lines. All of that stuff's going on in your head, so you learn a lot by doing whatever. In my view, never worry that something's not prime - A, number - one stuff.
A lot of acting techniques are very self-oriented.
There's so much to learn about acting and performance in general... I mean, acting is a very complex art, and there are a lot more theories and methods and techniques to it than I think anybody would think.
I've got a lot of laughter lines. You don't get laughter lines on your face without having a lot of fun in your life.
Acting is probably the greatest therapy in the world. You can get a lot stuff out of you on the set so you don't have to take it home with you at night. It's the stuff between the lines, the empty space between those lines which is interesting.
The writing is amazing because having a hand in creating what you're going to be performing... there's nothing like it. It's always going to be better suited for you. You're always going to know the lines faster, because you wrote it. The writing is so very hard. It's the hardest part of the whole process. In some ways the acting is a lot easier and a lot more fun.
So for me having that element of being able to be competitive wasn't a problem. I'm very competitive. I thought if I could skate first, acting would come second. I could say my lines and then go do what I was saying. You don't have to fake it, you're not really acting.
Sinatra, here's a guy who plays a tough guy in all his movies, but was allowed to be vulnerable when he stepped up to the microphone.
Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.
At this point, I feel fairly comfortable in terms of performance. I think having a sketch background actually helps a lot. Because my background is acting, and stand-up, in a lot of ways, is acting.
It probably does make it more difficult to enjoy a good laugh at someone who's onstage, seemingly yelling at you. But I'm not yelling at the audience, I'm yelling at the world. It genuinely sucks if people are taking it that way. But I'm not talking to individuals.
There's a lot of talk now about the PC police, and 'why is everything bad?' It isn't. What it is, is that marginalized and oppressed people who have never had a soapbox, who have never been given a microphone, suddenly have a microphone.
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