A Quote by Adam McKay

All you can really do as director is sort of set a tone. — © Adam McKay
All you can really do as director is sort of set a tone.

Quote Topics

When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.
When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.
A lot of times the character's experience is not in accordance with the tone of the movie and it's not really my job to account for the tone of the movie. That's the director's job.
Beyonce has set the tone as an aunt. I've set the tone as a mom.
The attitude of the director is really important, in terms of setting tone.
When you're a director, you have great respect for directors. I am really pretty loyal to any director that I am working for and I want to help them realize whatever story and mood and tone that they're trying to realize. As an actor, you really just are a cog - you are an important cog, but you are just a piece of the machine.
I just see many, many untruthful things. I see tone, the word tone. The tone is such hatred. I'm really not a bad person, by the way.The tone is such - I do get good ratings, you have to admit that.
As the lead of a movie, you really set the tone off-camera as well, and that's a really big responsibility.
I think acting helps me as a director no matter what. There is something about being reminded about the vulnerability it takes to be an actor and what I'm really asking of actors every day when I'm on set as a director that I think it's a really good reminder.
You have more of an opportunity than people think to impact a game through the tone that you can set. You can't control everything, setting that tone is important.
As producers, we can influence where the budget goes, but only the director really controls what tone, what type of movie you are trying to make.
I think when you work with really wonderful directors who have a really strong vision, it lets you as an artist set the tone for your own career.
There are situations when, in your singing, in your interpretation of songs, for instance, when you want a straight tone. And I have to work really hard at getting a straight tone... That's sort of like if you have curly hair, you have curly hair.
With the work that I do as a director, I've got dialogue, camera movement, and character blocking to help create a tone to the piece. In photography, those elements are somewhat void so that tone becomes a bit more subtle but still equally important.
I definitely isolate, but I also always have people in front of me, and I have to be OK with that. I'm in a business where, on the set, you're around two hundred people every day, and if you're high on the call sheet, you sort of set the tone for the set. And you want people to feel appreciated, and you want to ask them how their kids are. You want to talk to people and invest in them and let them know that they're appreciated and heard. But then I do like to just kind of withdraw.
When you host a show you have to hopefully be funny at the top and set the tone for a really fun evening.
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