A Quote by Adam McKay
You can't really do a big character in an action film; you're already suspending your disbelief in the action, then to suspend your disbelief in the character is too much.
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When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
The baseline character in a lot of Western literature is a man. So we, as women, do a lot of suspending of our disbelief to experience a novel or a play or a movie through that male character.
Be aware of the big difference between inspired action and activity. Activity comes from the brain-mind and is rooted in disbelief and lack of faith - you are taking action to “make” your desire happen. Inspired action is allowing the law to work through you and to move you.
Activity feels hard. Inspired action feels wonderful.
You have to suspend disbelief a little bit to buy into your situation and to the story and to how the character will react. You have to tweak your credibility a little bit, is basically what it comes down to.
The more people know about you, the more face-time you get in the media, the harder your job becomes to create a character in whom people suspend disbelief.
Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake.
What interests Sam Mendes are characters and relationships, and he was a genius at giving you the freedom to create the type of character you want, and also to explore and have fun with your fellow actors. For him, characters and relationships are really the heartbeat of the film, and then the action is the backdrop. By developing the characters, he makes you care that much more about the action and going on a journey with the characters.
I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.
Suspend for a moment your disbelief and encounter once again the sense of wonder you knew when there was... magic!
If you believe in Cinderella, and if you can suspend your disbelief at midnight, then you can believe in the interdisciplinary midnight, the 'in-betweens,' and become fortunately entangled, moving from art to science.
What if you began to expect the best from any situation? Isn't it possible that you could write new chapters in your life with happy endings? Suspend your disbelief? Take a leap of faith? After all, what have you got to lose but misery and lack?
Action is cool but it's all down to the director's interpretation at the end of the day, so you have to serve his visions and do what you can. So, you do your job to the best of your ability, you perform the fight and then it's out of your hands. It's then down to the director or the producer. You can give your opinion but often it's not heard. Actors have their riders and all kinds of contract terms and one of my big ones as I continue to make a name for myself as a top action guy is that I design my own action in films and oversee the edit.
When you're even on a regular movie set, you still have to suspend your disbelief. You're working there with only 3 walls of a room, and you're in costume, and you have a camera 6 inches from you and have a crew of 75 watching you. So even there, you have to crank up your imagination.
I like movies! No, I like theater too. And paintings are great, and all of that! But to me, the great sort of artistic medium I think, of our time, is film. I really feel that. I mean to me, there's nothing else out there, where I can sort of suspend disbelief for two hours.
People often believe that character causes action, but when it comes to producing moral children, we need to remember that action also shapes character.
You have to be able to invest in your own creations, to suspend your own disbelief in order to be able to write them. We all have to draw the line somewhere.
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