A Quote by Adam Morris
I am not one of those translators who think that working closely with the writer will yield the best translation.
Related Quotes
I encourage the translators of my books to take as much license as they feel that they need. This is not quite the heroic gesture it might seem, because I've learned, from working with translators over the years, that the original novel is, in a way, a translation itself.
I tend to be kind of literal about translation. I think it's important to present the writer as closely as possible.
I have a deep love for the art of translation, and I couldn't find a novel that captured the fascinating, reckless adventure of it as I'd experienced it, or portrayed translators as the passionate risk-takers that so many of the translators I know are. So I wrote the book I couldn't find.
All nonfiction writers, whether they like it or not, are translators. The translator is the perfect journalist. The best journalism endeavors to convey an essential idea or story to an audience that knows very little about it, and that requires translation. To do this successfully, the writer must filter the idea through the prism of his eye, and his mind, and his writing style.
There is an old Italian proverb about the nature of translation: "Traddutore, traditore!" This means simply, "Translators-traitors!" Of course, as you can see, something is lost in the translation of this pithy expression: there is great similarity in both the spelling and the pronunciation of the original saying, but these get diluted once they are put in English dress. Even the translation of this proverb illustrates its truth!
I teach Korean translation at the British Centre for Literary Translation summer school, so I see an emerging generation too, who are around my age. I'm hoping to find time to mentor, and to help emerging translators to a first contract through Tilted Axis.
I've never translated more than one book by any author. But I'm fascinated by translators who have, like Richard Zenith, who's translated so much of Fernando Pessoa's work. I get restless for a new kind of influence. The books I've translated are books I want to learn from as a writer, to be intoxicated by. And translation is an act of writing in itself. It's an act of recreation - of a writer's cadence and tone and everything that distinguishes the voice in the book.
Even though I believe a superlative translation can achieve timelessness, that doesn't mean I think other translators shouldn't attempt other versions. The more the better, in the end.
I am a writer... I am a genius of a writer; I have it in me. I am writing the best poems of my life; they will make my name.
It is useless to read Greek in translation; translators can but offer us a vague equivalent.
I am extremely excited to develop and design a brand representative of my life, experiences and style. Working closely with Cherokee will help establish a worldwide presence with best-in-class retailers and category leaders.
Common European thought is the fruit of the immense toil of translators. Without translators, Europe would not exist; translators are more important than members of the European Parliament.
The vices and the virtues are written in a language the world cannot construe; it reads them in a vile translation, and the translators are Failure and Success.
I've heard of translators collaborating closely with their authors, sometimes even living with them for a while, but that's not me.
The best thing on translation was said by Cervantes: translation is the other side of a tapestry.
Treasurys, as low as yields are, are higher than they are in most other developed countries. A foreign investor picks up a yield spread in Treasurys versus their own sovereigns, plus the fact that if the dollar is going to continue rallying - and I think it will because it's a safe haven - then they get a currency translation gain as well.
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