The Bullet Club has sort of become this pop-culture phenomenon. You don't even have to like wrestling or follow our product, and you can wear a Bullet Club shirt, and it's cool.
The Bullet Club keeps New Japan Pro Wrestling in the black. Far in the black. Because of me. I'm a part-timer in that company, and I hold the Tokyo Dome merchandising record and Osaka's. Funkos. Bucks on a career run. This Bullet Club may never be topped.
For sure yeah, Bullet Club is definitely synonymous with pro wrestling as a whole.
As the leader of the Bullet Club, I can't slow down now. I am an example for everybody who thought just slapping the Bullet Club logo on you would define your career.
My life did a 180 when I joined Bullet Club. Joining Bullet Club opened the door to New Japan for me. It made me more valuable.
The Bullet Club from the beginning was just a group of talented guys who were having fun together and tried to make pro wrestling as exciting as it can be.
Being in the Bullet Club is definitely a huge opportunity and guarantees more eyes on my work.
When I left teaching, I don't think anyone I worked with necessarily understood what I did or the level at which I did it but I think they all do now. I think its Bullet Club stuff and what we're doing now in wrestling is, honestly, such a big part of pop culture that it's kind of hard to avoid, even if you don't follow wrestling.
I've been in the ring with so many guys, and I've been in the ring quite a bit with Randy. The WWE live events are... a little bit different from what you see on TV. It seems to flow better; more matches, longer wrestling.
In wrestling, you're talking about a fraternity of champions, and I got a chance to be a part of that Olympic championship club. And anyone that ever won the Olympics in wrestling, there's something different about them.
'The Lord of the Rings,' obviously, had a huge, huge impact on me. I read a lot of 'Hardy Boys,' also. I liked the equation, that it was always the same but a little bit different. There's something comforting about those books.
I like to mix and match things so I'm infusing a little bit of jazz, a little bit of classical, a little bit of soul, into the whole blues idiom and I'm coming up with something that I'm really interested in.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
With that explosion of dance music thing, there have been some downsides. We're lacking a little bit of connection right now. Pop music is so massive. It's everywhere. Today, there's less of discovery. There's less "I'm going to drive two hours and go see him at this dirty night club." We're missing a little bit of that. It's still there, and I feel like those connections are still made.
It was the combination of many factors... With most people, suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The other two bullets are impossible to name, but that doesn't mean the chambers were empty.
When I wasn't wrestling, I got back into school a little bit. In Dallas, there was VIP Wrestling, and in Atlanta, AR Fox has a great school, so it's good to get back in there and continue to learn.