A Quote by Adam Pally
I've not gotten so much stuff because I improvise in an audition, but I always feel like, if that's the case, the reason is because it wouldn't have worked out anyway with us working together.
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Louis Walsh, he made me audition for Girls Aloud, he said, 'If you don't, I won't speak to you again.' I was like, 'We don't speak that much anyway.' I went and it all worked out well, I wouldn't have gone to the audition if it wasn't for him.
I work with a group of actors, and whenever one of us has an audition, we all get together, and we all work together on it. I think it takes us back to our film school days, our drama school days, us just working together and figuring it out because somebody else is going to see something in the material that you won't see.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
I don't like to have everything all worked out in my head because there's always a chance of it coming out different than you think it should anyway.
I make sure to hold onto everything, even the stuff I've gotten rid of, because if there's one thing I've learned about the band is that I'll bring stuff in, and it's oftentimes the stuff that I've gotten rid of that's the stuff that everyone else is like, "yeah!!!!"
Anything that I wanted to do in my career that I wanted to do always worked out. The stuff I got talked into always failed. All the stuff I was talked into, by brilliant managers, because it always came down to, "Know how much money you'll make?" And then it would just fail.
The first audition I went out on was because my father was on an audition for a TV show called the 'Gilmore Girls,' and that kind of snowballed a lot of stuff in my life.
Even now if I see someone working out, in great shape, like a 40-year-old guy with his shirt off jogging I always think, "Look at that idiot." That's why everyone in my movie is kind of goofy because I'm a champion of the goofball. What sucks is I have to work out now not to die. I was always happy not working out because I never wanted to be someone who worked out to look good, but now I have to try to not die, which is such a drag.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings a certain freshness and a reality to it, as long as it doesn't go too far out of the box.
Usually I like to improvise. Sometimes, depending on the nature of the piece, I like to improvise because I think it brings certain freshness and a reality to it, as long as it doesn't go too far out of the box.
I'm really lucky to have my brother because I know a lot of teenagers, and even adults, aren't as close to their siblings. Working in Hollywood definitely does bring us together and gives us something to connect on. I had an audition yesterday and he came by before and ran my sides with me. Being able to work on things together is really cool and it gives us something to have in common.
The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
Because I was new to comics, I didn't know what to expect! However, I really like working collaboratively [on Dark Tower series], since I feel that - with so many different imaginations working together - the final product is so much richer. I also feel incredibly lucky to be able to work with such an accomplished and experienced team.
I've found that as I've learned to improvise melodically, it seems like I can come up with a bigger variety of stuff. I kind of selfishly enjoy it more, because I'm in the moment so much.
I always like auditioning because it's like, 'Oh, my God, I have an audition - yay!' It means opportunity for work, which is great. But it's scary as well, because you put so much pressure on yourself.
Not that I've always loved the movie when they finally come out, or if they ever come out-because many of them don't come out-but I've gotten to work with really good story editors and stuff like that.
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