A Quote by Adam Pally
Anytime I audition for something, it's always a question of whether or not the people I'm auditioning for understand I'm an improviser and I like to do that, and if they like that or if they just want someone who's going to do what's written.
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I actually like to audition. I prefer to audition for something because I don't want to walk onto a stage or a set and [have someone] say, "You are so far away from what I thought you were going to bring in." I would feel more comfortable to audition and say, "Here's my take on it - take it or leave it".
I travel a lot. It used to be, when I would go to any country, I could guarantee that the first question would establish my name, and the fact that I've written Roots, and the third question, at least no later than the fourth question would not be a question, so much as a statement, something like, "We understand that in America white people do such and such bad things to black people."
I like poetry when I don't quite understand why I like it. Poetry isn't just a question of wrapping something up and giving it to someone else to unwrap. It just doesn't work like that.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
I think we've always, as a species, been fascinated with stuff that we don't understand. Anytime someone can shed light on that, whether it's legit or just somebody's fantasy of what that stuff is, I think people take notice.
I don't care if someone is new to acting or experienced in acting: you always learn something from them. It's just like people in life - whether they're young or middle-aged or old, you always learn something from someone.
That's what sometimes separates people who always run and always train and people who maybe move on in life and do something else. I think I'm a lot more likely to be someone like Joan Benoit (Samuelson), who keeps going forever, just because I actually really like it, as opposed to someone who stops and never runs again.
I remember auditioning for something where the woman was supposed to be 42, and I was 33 or something, and they were like, 'No women over 35 can audition.' That was in the breakdown. I don't think they would do that anymore - I would like to hope that they wouldn't put that in writing - but it's mind-boggling.
When you're trying to look pretty, it's a lot easier to compare you to other people. I always felt intimidated in pilot season trying to audition for 'the girlfriend.' Whereas when it's like, 'you're auditioning for the part of this meth addict, trailer park whatever,' it's like, 'Great!'
I'll audition for something and then the feedback has been, 'The director wants you, the creative people want you, but the studio is saying no.' It's depressing, but I understand. People are investing a lot of money and they want somewhat of a guarantee; they want someone who's been on the cover of magazines.
I've been auditioning since I'm nine years old. Honestly, most of my friends I've met in audition rooms because you're always auditioning.
I always like auditioning because it's like, 'Oh, my God, I have an audition - yay!' It means opportunity for work, which is great. But it's scary as well, because you put so much pressure on yourself.
I feel like as a whole, when it comes to the "other" in the US - whatever that looks like for each individual person, whether it be someone who's LGBTQ or someone of color or someone who's just a religion that they've never heard of - whether you're in entertainment or whether you're in any other business, we're not as evolved as we'd like to think.
I think what's universal is the idea of auditioning. It's something that you do in every kind of job market. You audition every time you go on a date, you audition at a job interview, and it's always about trying to put the best version of yourself forward and seeing what sticks and what doesn't.
I honestly think the impulse is to grab something and capture it, and not capture a moment that you want to remember, but just capture an image that you want other people to see right away. It's about how someone is going to "like" this and it's no longer an experience. It's just this constant sharing of images. I personally don't like that very much.
I have a repertoire of songs that I'm proud of, that I've written for my own band. When I do a cover, something that somebody else has written, I think about it very carefully before I sing that song. I have to really get behind it and understand it and like it. And that's how I pick roles. I don't want to play just anything.
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