A Quote by Adam Pally

There's a common misconception with sketch comedy that you just go up there and wing it, but it's written, and there really is order. — © Adam Pally
There's a common misconception with sketch comedy that you just go up there and wing it, but it's written, and there really is order.
I've just written this six-part sketch comedy series, which I've never done before. And I don't know how to pitch it. Am I supposed to just pick up a camera and put stuff on YouTube? Is that how it works?
There was a male sketch group in my college. I was like why isn't there a female sketch group? So then I started doing sketch comedy and all that stuff. It just happened.
There was no Groundlings or Upright Citizens Brigade where I was from. Looking back on it, I was trying to do sketch comedy in my stand-up, which is still kind of what I am doing now. To go full-circle here, it's kind of like one-man sketch.
When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
I'm a huge sketch comedy fan, and I think my love of sketch is reflected in my stand-up in that I do a lot of vignettes and voices and characters.
My experience - and it might be just the kind of comedy that I do, which is usually sketch comedy - is that there's a lot more texture and subplot in drama than in comedy.
I liked that improv and sketch comedy were collaborative, but you really depended on other people and a stage to perform. With stand-up comedy, I liked that you had no one else to blame and depend on.
Nobody wants to see sketch comedy that's the same sketch they've seen time and time again, or that's just a rehash of that thing.
I was not one of those people who wanted to be a comedian when I was growing up. I liked comedy, but didn't know it was something you could do for a living. I actually wanted to be an attorney. I did do things on the side like improv and sketch comedy, but law was my focus. I was a very bookish, academic kid. When I got out of college, I was really unhappy. I had a great job that I should have loved, yet I was miserable. I slowly realized that was because I wasn't performing. So I just tried stand-up and fell in love with it after one performance.
I wrote a play at drama school, which was a dark comedy - people laughed and cried. And then my script of one of the shows was picked up by a comedy sketch company... so then I had to write comedy.
There wasn't a big tradition of comedy at Dartmouth. More than that, there wasn't really anything artsy going on in Hanover, or even in New Hampshire. The cool thing about the school is that there's nothing for people to watch, so if you were to do a play or a sketch or an improv troupe, it was always packed. There's nowhere else for anyone to go. But there was no comedy.
In the end, the thing that really stays with you is not that you were clever enough to connect a sketch to another sketch, but what really sticks with you is when you just have an incredible moment happen, or execute a really funny idea.
I've always written a little bit. I mean, I've written screenplays, and I've doctored my dialogue for years, and I've written speeches - I was a speechwriter on 'The West Wing,' so I like that kind of thing. But I never really thought I'd write a book.
When you're doing sketch comedy and you're pregnant, it's like wearing a giant sombrero in every sketch.
You really have no idea whether or not what you're writing is funny. In stand-up and sketch comedy, you know right away and you can make your changes accordingly.
I did sketch comedy, but I never did improv. So I've just tried to learn as I go.
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