A Quote by Adam Peaty

I love tuning into Radio 1 on a Friday night after training and hearing the new stuff. — © Adam Peaty
I love tuning into Radio 1 on a Friday night after training and hearing the new stuff.
A big difference between podcasts and radio is the intimacy. Radio oftentimes feels big and loud. To me, podcasting is closest to that weird late night stuff, whether it's late night love song request lines, or it's some talk radio show where you feel like you're the only person listening to it.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
There's something exciting and incredibly liberating for an artist to finish something Friday night and the world hears it Friday night instead of eight months later after marketing people and all those assholes get involved.
Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
After the fifth show as Hogan, my radio appearances had shriveled down to two a week Monday and Friday. One afternoon I stood before the camera, and I was so tired I couldn't remember a line. The next morning I said goodbye to radio or a while.
I love to sing swing and shuffle stuff. Radio may not play it coast to coast, but I love playing them. Man, they fill the dance floor up. People who live the night life at these honky-tonks eat this stuff up.
The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
I wish I had a really cool, esoteric answer, but what the process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.
I fell in love with jazz when I was 12 years old from listening to Duke Ellington and hearing a lot of jazz in New York on the radio.
I love listening to new stuff, at home in LA I always have the radio on to hear what is happening.
I didn't have any real art training, but when I was about twelve nad thirteen, another boy and I went to a sign painter's house every Friday night and took lessons.
You can be in Shanghai on a Thursday, London on Friday, and in bed at home by Friday night.
As much as I enjoy TV, I've always loved radio. And I love doing the NFL games, the Monday night games, on radio. Because you are the game. I really enjoyed calling basketball and hockey on the radio, but the presentation is more specific - you're talking all the time.
What's great is that I keep hearing from people who are discovering 'Friday Night Lights' because of streaming and Netflix and Hulu and all of these things. Somehow... things don't get old as fast as they used to. They stay vibrant.
Right after 'Friday Night Lights' ended, I was in sort of an existential crisis.
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