A Quote by Adam Rapp
I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, "well if I'm going to fight against this, I should learn how to direct".
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, 'Well if I'm going to fight against this, I should learn how to direct.'
Early in my career, people wanted to pigeonhole me as the bad guy because I'm of Italian-American descent, which they often were when I started out. You have to fight against it. One of the things that helps is the ability to do comedy.
In TV, I did scripts that were not well-written, and I learned how to make bad material okay. That's a hard thing to do; you can learn bad habits, but you can also learn to find something in anything.
When I started out playing guitar and singing, I was about twelve, going on thirteen. The role models for me back then were the folk singers. They all had these high, really nice voices and ranges, like Judy Collins and Joan Baez, and then later, of course, Joni Mitchell and Linda Ronstadt. I decided early on that I was going to learn how to write songs really, really well, because I didn't want to have to compete as a singer. I didn't feel that it was my strong point.
No liberal newspaper ever talked about the invasion of Vietnam; they talked about the defense of Vietnam. And then they were saying, "well, it's not going well." Ok, that make them liberal. It's like, it's if we were to say, that going back to, say, Nazi Germany, that Hitler's general staff was liberal after Stalingrad because they were criticizing his tactics: "It was a mistake to fight a two front war, we should've knocked off Englad first," or something.
When we first started playing in the early days, none of us really had any idea about writing our own songs yet. We were struggling how to learn our instruments and play songs to be able to perform for people.
You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
I think when I started in wrestling, I hadn't realized how difficult locker rooms were going to be. I thought they were going to be more inviting than they were.
Back home, if you get scored on, you're the weak link. When I started getting good, they were like, 'If you're going to play on our team when we go play pick-up, and you start getting scored on, we're not going to let you play anymore.' I started learning how to help other people out with my defense.
In our early experiences with bitcoin, we found how few people were building bitcoin exchanges the right way. They really weren't taking the regulation seriously; they were taking it too much like how you would approach something when you're 18, full of the excitement of youth and throwing caution to the wind.
It was very early, and we were still like beta or alpha stage, and so we started receiving a ton of download. The server became overloaded, and that's when I realized that this had a huge market.
Well, my mother, she made me apply for a school where I was supposed to learn how to type. She said, well, instead of going to demonstrate she should at least [learn], because, everything was on strike. So we had to learn something in the meantime.
When we started out we got a lot of positive press around the single 'Step Into My World', and a lot of Radio play. The single did really well, so we were in the spotlight straight away. I obviously had my history with Ride, but I didn't want to talk about that, so all the interviews centred around how I'd had these auditions and found the band members that way. I think people felt like that was not 'for real' enough or something.
I'm growing up in Detroit, Michigan, both of my parents were gun owners, and that they taught us how to safely and carefully utilize them, because we had businesses, and they showed us out of a sense of protection. But that was something that was used to never use a gun unless you intend - never play with a gun unless you use it to intend - intend to use it. But it was for protection only.
I feel like people being themselves and not being scared of judgment, they're putting that into their music, and it's like, 'Wow, they came up with something fire because they didn't care how you were going to feel about it. They didn't care if you were going to like it or not.'
It was the time of the Cold War and so there were was a lot of pressure on the - to get going and the Russians were claiming that they were - Soviets were claiming they were ahead of us in technology. And so it was against that backdrop that the early space flights took off.
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