A Quote by Adam Rapp

When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that. — © Adam Rapp
When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
Auditioning is a skill. There are actors who are not very talented but know how to audition and know how to be really confident in the room and are confident enough to be able to charm the pants off anybody.
It takes awhile for writers to get to know actors rhythms, not just as actors, but what they bring to the characters. I think it takes a few episodes for the writing room to catch up to the actors and vice versa.
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
The one nice thing about doing a character for a long time is, you begin to feel more comfortable, and you are thinking less and behaving more. It's always best not to be thinking a hell of a lot while you're acting, because you want it to be as spontaneous as possible, not too intellectual. Just behaving and listening to other people who you're doing scenes with. I always like the latter when it looks easy, even though it may not be.
I love actors, both my parents were actors, and the work with actors is the most enjoyable part of making a film. It's important that they feel protected and are confident they won't be betrayed. When you create that atmosphere of trust, it's in the bag - the actors will do everything to satisfy you.
I feel very confident with the way I look. But I felt just as confident the way I looked before. I've always been confident with who I am.
I've done a few studio films in the last few years where I feel like I've done good work, and then I only end up in two scenes. That's been very disappointing.
Film acting, if you don't play the lead, you come, and you do your scenes in a few days, and you act with a couple of colleagues. All the rest of the actors you never see, and you don't even meet many of them. And you don't know what will happen with what you've done. Maybe it will be in the film, maybe it will not.
I love working with Liev [Schreiber]. I've known him for a long time. I just think he is a master. Few actors are so self-possessed and so focused and so confident.
I love exploring in a rehearsal room with other actors, scenes and you know, stuff you are scared of.
'Lassie' was amazing. I didn't have any scenes with humans. There's a couple little bits, here or there, but mainly just me and my horse and a couple of dogs in the Isle of Man.
I have questioned myself about the brutality in the last few novels. Actually in The Leopard, in hindsight, I feel I went a little bit too far with screaming blood. There are a couple of scenes that I regret and wish I had the chance to rewrite. Phantom has less blood.
I have questioned myself about the brutality in the last few novels. Actually in 'The Leopard,' in hindsight, I feel I went a little bit too far with screaming blood. There are a couple of scenes that I regret and wish I had the chance to rewrite. 'Phantom' has less blood.
Just go into the room, sit in the centre of the room, open the doors and windows, and see who comes to visit. You will witness all kinds of scenes and actors, all kinds of temptations and stories, everything imaginable. Your only job is to stay in your seat. You will see it all arise and pass, and out of this, wisdom and understanding will come.
The way I dress definitely helps me embody and actually change my way of behaving and feel more confident.
You can't really fake confidence. You know what I mean? Just be confident in who you are when you walk into a room, feel like you own it.
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