A Quote by Adam Rayner
To be honest, unless you rocket straight to stardom as a gorgeous young vampire, you can spend a lot of time working behind a bar.
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I think that if journalists, reporters who spend a lot of time on a story, are honest with themselves, we all have feelings about our subjects - I mean, unless you're a robot.
I think I've been incredibly raw my whole career. A lot of people spend a lot of time trying to look cool and spend time being guarded and putting up walls. I just never had the time. It seems more honest to say, 'Hey, this is who I am.'
I spend a lot of time on college campuses, a lot of time mentoring young women in all sectors of business, because I don't want them to spend as much time to get their voice as I did.
I'd like to be honest to my time, and I lived from 1946, and I want to understand why our country, which I love so much, and was a great country when I was young, it seemed, became this monster vampire on the face of humanity- a vampire squid, to quote Matt Taibbi, sucking out the juices of all mankind. Why? It's a basic question.
I do wear my hair up. To be honest with you when you are working with children you spend most of your time with your hair up, unless you want custard in your hair or some kind of baby sick hanging off the back of your shoulder.
I'm getting a lot of stick because my character in 'Young Dracula' wanted to be vampire, so now that I am a vampire, everyone's like, 'You finally did it!' But it's cool and I loved doing 'Young Dracula.' That show's finished and I don't know why it ended, so it was brilliant to go into 'Being Human,' which is like the adult version of it.
A witch, a vampire, and a pixy walk into a bar, I thought as I led the way into the Squirrel’s End. It was early, and the sun had yet to set when the door swung shut behind Jenks, sealing us in the warm air smelling faintly of smoke. Immediately Nick yanked it open to come in behind us. And there’s the punch line.
I spend a lot of time in preproduction working with authors, and a lot of time in postproduction.: editing, music, all that sort of stuff. Casting. On the set there's not a lot for me to do.
I spend a lot of time working and with my family, so I don't have much time around the edges to do much else. I don't really listen to a great deal of music. I love music, but since I spend a lot of time in the studio, we probably watch a movie rather than listen to albums. I get to hear stuff, but not on the grand scale.
Lend's dad, two werewolves, and a vampire. It was like the setup to a bad joke or something. A doctor, two werewolves, and a vampire walk into a bar. "What'll you have?" the bartender asks. "We were thinking him," the vampire answers, eyeing the doctor. Okay, jokes weren't my strong point.
If someone thinks, 'I'll spend the off season working on my fitness and I'll come back a better cricketer,' I don't think that's enough. You need to spend a lot of time working on your skills and honing your skills.
I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
'The Lucky One' features a young concentration camp survivor named Peter Rashkin - who's about the age my dad was when he started at CBS - working at the Oyster Bar, trying to acclimate to his new country and outrun the memories of the daily he left behind.
I'm expecting a lot from myself, I have set the bar high and I want to do really well for my teammates. I love working out and preparing so I have spent a lot of time doing that.
My father stood behind a bar in the back of the room all those years, so one day I could stand behind a podium in the front of a room. That journey, from behind that bar to behind this podium, goes to the essence of the American miracle - that we're exceptional not because we have more rich people here. We're special because dreams that are impossible anywhere else, come true here.
[The Muse of our Fiction of the future] will lead you - if you are humble and honest with her - straight into a World of Working Men, crude of speech, swift of action, strong of passion, straight to the heart of a new life.
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