A Quote by Adam Sandler

I sing seriously to my mom on the phone. To put her to sleep, I have to sing 'Maria' from West Side Story. When I hear her snoring, I hang up. — © Adam Sandler
I sing seriously to my mom on the phone. To put her to sleep, I have to sing 'Maria' from West Side Story. When I hear her snoring, I hang up.
somebody/ anybody sing a black girl's song bring her out to know herself to know you but sing her rhythms carin/ struggle/ hard times sing her song of life she's been dead so long closed in silence so long she doesn't know the sound of her own voice her infinite beauty she's half-notes scattered without rhythm/ no tune sing her sighs sing the song of her possibilities sing a righteous gospel let her be born let her be born & handled warmly.
~When Valentina was not even 1 month old, my aunt [gave me the best advice]: 'Put her to sleep yourself every night. Sing to her and cradle her in your arms and sit by her side - every night. Because one day you won't be able to, and it's going to happen really fast.~
I knew I wanted to sing when I was a very small boy. When I was probably 4 years old. My mother played a guitar and I would sit with her and she would sing and I learned to sing along with her.
When I had dial-up, my mom got me a phone so I wouldn't tie up the phone. She used to really pick up the phone, push some buttons, and hang it up so the connection could mess up. Now, it's a joke with her, like, 'Look, the Internet's 24/7. I have WiFi now.'
You know, and the fact that Nina Simone had to start playing in clubs and sing because her parents had moved north to support her music education. You know, so she had to sing. She had to make a living 'cause she was supporting her family. So poverty and race put her in this place which, you know, created enormous success, but it's not what her psyche was all about.
I sing of a woman with ink on her hands and pictures hidden beneath her hair. I sing of a dog with skin like velvet pushed the wrong way.I sing of the shape a fallen body makes in the dirt beneath a tree, and I sing of an ordinary man who is wanted to know things no human being could tell him.This is the true beginning.
In high school, my first thing ever was I played Tony in 'West Side Story' when I was about 17. I was a really shy kid, and I just, like, forced myself to learn how to sing this one month because I loved 'West Side Story' so much, and I somehow managed to get the role.
The fact is that everyone at the labels wants to do what everyone else is doing. You have to look like her; you have to be like her; you have to sing like her, and no one can express themselves. I look at Rihanna and I am so proud of her. She speaks loudly! You have to stand up and clap. She expresses herself through fashion. She actually can sing. And her songs mean something, even to me, you know?
I went to, you know, a church in Chicago, and my mom, of course, was in the choir because my mom was a singer; she used to sing. I wanted to be in the choir as well, and I was like, 'Mom, please, you know, I want to sing in the choir with you guys.' I kept on asking her, and finally I was, you know, in the choir.
I sing Connecticut, her charms / Of rivers, orchards, blossoming ridges. / I sing her gardens, fences, farms, / Spiders and midges.
(Talks about her grandmother Marjorie Finlay)"She was actually a recording star in Puerto Rico when my mom was growing up. My mom was always stuck sitting backstage somewhere or sitting in a front row, watching a performance her entire childhood. She thought that when her mom stopped performing she was relieved of those duties, but all I wanted to do was sing, ever since I was born, so she's always been backstage.
The beauty of Billie Holiday is that she gave every singer after her the license to interpret and perform music in ways that were unique to each of us. Her uniqueness was very much a part of the way she sang the songs, the story she wanted to tell through the songs. I didn't really have a full understanding of Billie until I left home -- until I'd lived a little, shall we say. At different seasons of my life, when I'd sing her songs or listen to her albums, I'd hear things I didn't hear before. Wherever you are in life, you'll hear different things in her songs.
I'm telling the story, and if I can't tell the story, I'm not going to sing it. And if I don't agree with the story, and if I got to sing something that portrays me as something I'm not, then I'm not going to sing it either. I didn't even want to sing Aretha Franklin's 'Chain of Fools.'
With Scarlett Johansson, I always thought she was pretty, but then when I heard her sing, there was just something about her voice that made her really, really attractive to me. And I think she would be fun to hang out with.
I'm the only person in my family who can't sing. My grandmother was an opera singer and all of her kids were in church five days a week - or between church and vocal lessons at Carnegie Hall. But my mom had her first studio experience recording on my album. She's used to having to fill the room, so she had to adjust to the microphone and not sing opera.
I don't really sing... I just hear notes so I know what it's supposed to sound like, if that makes sense. You ever hear someone try to teach a choir how to sing, but they can't sing? That's me.
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