A Quote by Adam Sandler
I finished a big book the other day. 421 pages. That's a lot of coloring when you think about it.
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My mother refused to give me coloring books as a child. She probably saved me, Because when you think about it, what a coloring book does is completely kill creativity.
Yet I'm making a book and I'm going to care immensely about what words get bound in the pages, and I want the object to look good. I won't believe in it and it won't be real to me until there's a finished book I can hold.
I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young - most kids colored in coloring books, but I made money off coloring books.
I have to get three pages done every day, and there's usually a point about 150 pages in where everything falls apart, where all the plans are for naught. The book has become something else, and I have a nervous breakdown, and then I submit to what the book has become, and I keep going, and that's a terrible and then a great time.
I write about five thousand words a day, when working on a book, about three thousand a day if I'm writing a short story. I take long periods off between projects, when I read a lot, garden, and think about the next book or stories.
A lot of people say I tried to emulate Tupac, but when I look back at my career, we're very different artists. I took pages out of Pac's book, of course, and lots of other rappers - Biggie, Nas - of course you take pages out of those books, but you eventually make it your own thing. And I think I did a good job of that.
A writer is a man like any other: he dreams. And my dream was to be able to say of this book, when I finished: 'This is a book about Alentejo.'
My original book [Straight to the Heart: Political Cantos] was 1,700 pages. The first editor brought it down to 700; there was a lot that didn't make it in. But at last it's finished. I had a hard time signing off on it. And I was worried about it hurting anyone I loved even indirectly. I sat in my room afterwards for two hours wondering what I had done. I wondered about it being judged and if people would understand.
I used to think that if I was ever so lucky as to get a book deal that I would write all the time. All day, every day. I'd write three books a year. The truth, though, is that writing all day isn't really feasible. I could do it, but I'd be folding in on a lot of other aspects of my life, things I care about. And I wouldn't be happy.
As soon as I finished the first book, I wrote a second, which I hope to sell this year, and I have just about finished the third book in the series. Two more are already outlined. I'm in this for the long haul.
Really, the greatest compliments about a book [One Thousand Gifts] are never about the book, or the author of the book, but about the reader and God and how the pages helped them connect at a deeper level.
If you can't think of what to write, tough luck; write anyway. If you can think of lots more when you've finished the three pages, don't write it; it'll be that much easier to get going next day.
The actual time you're acting is miniscule compared to the time you're getting ready to do the work. The big difference on series television is, there's not a lot of hanging-out time. You're pumping those pages out, you're doing six, seven, eight pages a day. And I like that pace.
When I was twelve, I decided to become a chef. I stole a book from the library about the greatest restaurants in France. I'd flip the pages and dream. I should return that book to the library some day.
I think a book that is over 400 pages should be split in two. I don't know that there's anything that interesting that can go on for 700 pages. I think that is a little bit indulgent.
You know, after filming the movie the book was still just as big. I think it was actually bigger. I think Stephen King went back and wrote extra pages. He's fantastic.
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