A Quote by Adam Savage

There's this group online that I frequent. It's a group of prop crazies just like me called the Replica Props Forum, and it's people who trade, make and travel in information about movie props.
"It is necessary to be given the prop that all elementary props are given." This is not necessary because it is even impossible. There is no such prop! That all elementary props are given is SHOWN by there being none having an elementary sense which is not given.
I remember getting in the elevator for my audition and there was a guy next to me who had a backpack full of props and wigs and things, and I went, 'Oh, my God, that guy is so prepared, I have nothing, I have no props.' And that was Andy Samberg. And Andy Samberg said he was looking at me going, 'Oh, that guy has no props. He doesn't need props.' And that was the first time we met, was in that elevator.
I don't like having characters as props. I never want a character to be a prop.
I like to add props to render the specificities of place - paintings, food, clothing, signs, infrastructure, music, sayings and slang particular to the region and particular to the character. And props shouldn't just sit there; they should get used.
I like that totally mixed up kind of eclectic group of personal props and bits of costume and I think the fun of doing that is where I was very lucky with Doctor Who.
I know someone who works in a record shop where I live and I'll go in there and he'll play me "Have you heard this single?". Singles by, er the group called The Tights, so an obscure thing... and a group called, I think, er Bauhaus, a London group. That's one single. There's no one I completely like that I can say "Well I've got all this person's records. I think he's great" or "This group's records" it's just, again, odd things.
I am a comedian but it's usually not a compliment to be called a prop comedian but I guess I sometimes use props. And I always confuse humorist with comedian. That's strange.
I'm a lifelong movie addict, and one of my favorite projects is making replica props and costumes. Nearly every one of these - from R2D2 to Hellboy's revolver - ends with the paint job. And it's not just cosmetic. The paint literally tells a story: what this thing is made of, where it's been, what it's been used for, and for how long.
I steal props from 'SNL' a great deal. Almost every sketch I'm in, I try to grab something from it, so I have a storage space full of props.
If you want to have great sex, find a partner who really turns you on. Pills are merely props, and props can turn out to be a big drag.
I steal props from SNL a great deal. Almost every sketch Im in, I try to grab something from it, so I have a storage space full of props.
Groups are only smart when there is a balance between the information that everyone in the group shares and the information that each of the members of the group holds privately. It's the combination of all those pieces of independent information, some of them right, some of the wrong, that keeps the group wise.
Actors always loved props and-so instead of a hat or an umbrella, they feel really comfortable with a cigarette as a prop.
An actor has to be very, very careful, as one of the most wonderful props - and actors love props - is a cigarette. There's so much to do with it: you can bring it up to your face, play with the smoke. It's just the greatest - ever since I was 16 and in acting school in England, I've been playing around with cigarettes.
I've realized that what you think of when you make a 'big movie,' if it's actually a green screen movie, it's like doing independent New York theater because you don't have any backgrounds or props. So it's kind of like making the lowest budgeted film you could possibly imagine, plus $100 million.
Safety lies in catering to the in-group. We are not all brave. All I would ask of writers who find it hard to question the universal validity of their personal opinions and affiliations is that they consider this: Every group we belong to - by gender, sex, race, religion, age - is an in-group, surrounded by an immense out-group, living next door and all over the world, who will be alive as far into the future as humanity has a future. That out-group is called other people. It is for them that we write.
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