A Quote by Adam Savage
I'm obsessed with the form of a toolbox. The idea of a portable kit that has everything you might need ignites something inside me. It's like Batman's utility belt.
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And a utility belt! I'm like an asthmatic Batman!
Once I do something, I need to be obsessed - or maybe I don't need to be obsessed, but I get obsessed because that's just the way my brain works - but I need to pay a lot of attention to detail. Because everything counts to me once I do something, even if it's a movie that nobody cares about. That's why I need to choose very well what I want to do. But in real life, when I watch TV or whatever, I guess I'm not that obsessive guy, and I'm pretty boring.
I think a lot of people become actors because they have a great reservoir and repertoire of many different emotions they felt over their lives. It's like having a toolbox, and you go down into the toolbox and choose one or two of those that you need for a particular scenario, or something that comes up in a line.
Just the idea to have everything you need essentially stored in one piece of portable technology is very exciting.
I think that people need an adrenalin rush. Folks need something aspirational; they need to do something that is hard. That's what ignites the imagination.
I have a zombie apocalypse kit at my house. I've got freeze dried food, I've got a real deal medical kit, like, a doctor could perform a surgery with this medical kit. I got all kinds of everything.
I see that idea that we need a new form as something critical. I mean, we do need to invent and not be benchmarking all the time. That's important to me.
I need for there to be something bigger than me. I need someone to put awe inside me; I need to come second to someone who has everything figured out.
I think it's good to have a balance. Everything I write about, it's not something I necessarily might have went through, there's songs where I might have an idea, sometimes it might be a melody or something that I like, I make up a story to go with that melody. But I do think it's most important to have honest songs.
How'd we come up with the robe? Was some guy just like, 'Hey, I've got an idea! Why don't we make a coat out of a towel? You can have a little belt that goes around. You could dunk the belt in the toilet! Have a toilet belt.'
The idea of doing a buffer, sexier Riddler - I like that. I think he's a reflection of Batman, and I think of him like a scary, evil Batman. Like Bruce Wayne without a conscience.
I put a lot of effort in creating something fictional, yet very personal, because Shook is a defining part of me and my music: the Shook entity is much like the Batman or Superman comics characters. I like the idea that I can have this image that represents a part of me, but isn't really me, kind of like an alter ego.
I love The End of the Batman story. I have my original copy, the hardcover, at my house from when I was a kid, whenever that was,'88 or '89. It was very influential to me because it was so explicit in touching on the notion that Batman might be mad and that he might belong in the mad house.
But I think it shortsells any idea when you say there's a similar part to something else, like 'aw man, 'The Avengers' is ripping off 'Batman.' You've got people running around in outfits.' Of course, there are outfitted people and there's superhero stuff, but it's not just ripping off 'Batman.'
The idea of printing out something that's as scary as a tumor into its concrete form was something that spoke to me - there is something very liberating about that idea.
I know our culture will sometimes understand a love for Jesus as weakness. There is this lie floating around that says I am supposed to be able to do life alone, without any help, without stopping to worship something bigger than myself. But I actually believe there is something bigger than me, and I need for there to be something bigger than me. I need someone to put awe inside me; I need to come second to someone who has everything figured out.
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