A Quote by Adam Savage
I think at this point, there's a certain bizarre chemistry between Jamie [Hyneman] and I that we can't ignore a lot of the mechanics of, that we're quite aware of. Half of it is absolutely genuine, and half of it is us playing around with that fact.
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I realized that in all the sectors of society where there's a huge gender disparity, the one place that can be fixed overnight is onscreen. You think about getting half of Congress, or the presidency ... It's going to take a while no matter how hard we work on it. But half of the board members and half of the CEOs can be women in the next movie somebody makes; it can be absolutely half.
A tree there is that from its topmost bough
Is half all glittering flame and half all green
Abounding foliage moistened with the dew;
And half is half and yet is all the scene;
And half and half consume what they renew.
We need to quit arguing about whether the glass is half full or half empty - and instead acknowledge that there's not quite enough water to go around.
If you believe, as I do, that merit is equally distributed between the sexes, then any result that isn't around half and half should be troubling.
Lips half-willing in a doorway. Lips half-singing at a window. Eyes half-dreaming in the walls. Feet half-dancing in a kitchen. Even the clocks half-yawn the hours And the farmers make half-answers.
When you're working opposite Halle Berry, you're going to get a lot. So you have to give a lot. That said, what I've found striking in the past few days is that people are aware of a good chemistry that exists between us on screen. If that's so, it's due to the fact that she and I have a real liking for each other in real life and a real mutual respect.
No half measures. Some things can’t be cut in half. You can’t half-love someone. You can’t half-betray, or half-lie.
Publishing a book is a great thing, and I'm grateful, but it's also a horrible, exposing thing. Once you've published a book, you never write quite as freely again. You're aware, from that point onward, of the kinds of things critics might say about it. You're aware of the kinds of things your publishers might like and dislike about it. You're half-aware of marketing strategies - of all the stuff around the book. Whereas with your very first piece of fiction, if you're lucky, those things barely occur to you at all.
When we are playing, the whole country is behind us, and that gives us a good feeling. We are almost half and half. We are from everywhere. In the end, we are doing well as a team, and we love it when we hear the game is sold out in five minutes. That's the reason you play.
I think there's a natural chemistry between us as friends; and there's really no separation between the rapport that we feel when we're in conversation and when we're playing music, it's one in the same.
The whole point of why I'm doing this is to show all kids, boys and girls, that women take up half the space and do half of the interesting things in the world and have half of the dreams and ambitions. Our slogan is, "If they see it, they can be it."
If the chemistry between me and the artist is good, then that's half the battle.
You have to separate the negative into two categories - half of it is sensible, constructive things that has made us better. But half of the negative online is negative for the sake of being negative, and it's important for us to remember it's okay they don't like us, and sometimes there's no point in engaging in that.
When woman work outside the home and share breadwinning duties, couples are more likely to stay together. In fact, the risk of divorce reduces by about half when a wife earns half the income and a husband does half the housework.
I think the chemistry on the Orange set is extraordinary and I’m going to risk and say this: I think by virtue of the fact that there are not so many men, we are free to be absolutely authentic. There is a lot of freedom and trust.
No man ever quite believes in any other man. One may believe in an idea absolutely, but not in a man. In the highest confidence there is always a flavor of doubt--a feeling, half instinctive and half logical, that, after all, the scoundrel may have something up his sleeve.
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