A Quote by Adam Schlesinger
I think in most cases, when you're writing a song, you're just making up a little story, and you're not really thinking about making a point one way or another about it. You're just coming up with a little scenario and seeing it through, and that's it.
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'9 to 5,' that little song, that little story, just won't ever end. Just like 'I Will Always Love You,' it just keeps comin' back, popping up its head in one way or another.
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Thinking about making a love story without music was really frightening, Sciamma admitted. Because every love story we know, we think about 'Titanic' we think about the music, we think about 'Gone with the Wind' we think about the music, we think about 'E.T.' we think about the music, and every love story has its own tune, 'That's our song.'
The fun part, I will admit this much, there is a period when listening to my music is fun, and that's when I'm making it. There's a tiny little window before something gets old, but after it's come to fruition. There's a little window there where I can listen to a song probably about five times, and I'll really think it's awesome. That's kind of the period that lets me know when I - 99 percent of the time, that period is right about whether a song is going to be a keeper for an album or just a throwaway track that never gets - in that little window.
If you’re thinking about coming to Tom Savini’s Special Make-Up Effects Program just STOP. Stop THINKING about it and just DO it. Aren’t we talking about making your dreams come true? Our students’ attitude is ‘This is school?’… because they are having so much fun every day doing what they love… and… they get a degree!
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema.
You get really scrappy when you're making things for zero dollars, and you just have to keep thinking like that. It's not like, 'Oh, we now have a little bit more money, let's do things differently.' If you just keep boiling it down to the simplest possible way to make it, I think that always ends up being the best.
In New York, working at the foundry, I was making these little figures. I desperately would like to make big figures, but I just can't do it; my hands don't do it. We were talking about making bronze plinths, and then we made one, a square one. I wrote on it, then I put a little figure on top, and it just looked really good. It worked.
There's like a little bit of a narcissism - I think there's more than a little bit of narcissism about it, but it's just that you can become so anxious and self-obsessive about whether this thing that I'm writing is good; is this joke that I'm making good?
When I see something I end up making a song about it and that's the way it is. There have been plenty of times when I've been in the studio and they were like, "Hey, why don't you make a song about such and such," and I just can't. I've gotta have it in my heart.
I was just taking pictures to see what they looked like. Just for the fun of it. It wasn't about anything in some cases. Some of them were just about the joy of opening up an aperture and seeing what shows up.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
So you can be about your business, and then on it comes again. And this time you're ready, and you've got a wine glass or something. And you put the glass up to the wall, and you can hear through the wall a little bit more of the song - maybe just the middle bit this time. You know, you managed to get in a little bit of the end. And so it goes on until - because you just got to - you really just want to sing it.
I think about everything first. I think about the scenario: the story and the characters, what I'm trying to say and I'll think about that for a couple of days until it's all locked in and then when I get to an instrument it'll just fall out. But the song's kind of all ready there in my head.
Writing a song to be a single is hard, and I don't like to focus on that because you can get caught up in making something just terrible, which is really easy to do if you're focused on making it a single. It's more fun when you focus on what excites you musically.
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