A Quote by Adam Schlesinger

If you're sitting in a place like Martha's Vineyard, I don't think you're going to write a song about a ski resort. — © Adam Schlesinger
If you're sitting in a place like Martha's Vineyard, I don't think you're going to write a song about a ski resort.
The Queen of Crafts herself, Martha Stewart, and I have the same birthday. I prefer to think it's the glue-gun wielding, perfect-tart-producing Martha and not the copper pan-throwing, jail-going Martha. But I suppose if I am going to share a calendar square with some of Martha, I have to share it with all of Martha.
In Vineyard Haven, on Martha's Vineyard, mostly I love the soft collision here of harbor and shore, the subtly haunting briny quality that all small towns have when they are situated on the sea
When you write a song about a place, you are writing a song about a place that might be in a hundred years, or a place that has been, or that was - in your imagination. I think that also embodies the American spirit. You are looking for what you can call "a place."
I was at our beautiful home in Martha's Vineyard, near Boston, sitting on the porch looking at the ocean when I got a phone called and was asked, 'Would I like to do 'CSI'?' A week later, I'm at a coroner's office in Las Vegas, participating in a quadruple autopsy.
Most people work fifty weeks a year so they can do this the other 2. Well the smart ones live in a ski resort, where the boss lets them have powder snow days off. And almost forty feet of snow falls every winter thats a lot of days off. A lot of doing what you moved here to do. Most major ski resorts are now so big that regardles of what kind ofjob you have in a city there's probably a job almost exactly like yours in a ski rsort like this. So quit your job and rent that U-haul trailer now so next winter this can be you. Not you just sitting there watching this and wishing that this was you.
I had to think about ankle torsion, where the screws are on the ski, how that affects the forces going into the ski and how the ski bends, your leverage points. It was a challenge. I was having the greatest time, making the mistakes, crashing.
But then I hit my 20s and only made two albums, and now I live in a ski resort as a ski bum basically.
Every time I try to write a song, when I sit down and think I'm going to write, I really want to write a song, and it never works out. It's always when it hits me unexpectedly on a plane or right before I go to bed, something like that.
Martha's Vineyard is a very strange place, racially speaking. Or maybe it's the way things could be if everyone had a bit more money and job security and status and could meet on equal enough footing.
I find that I end up liking songs if I really have an idea of something I wat to write about-some problem in my life or something I want to work through; if I don't have something like that at the root of the song, then I think I end up not caring about it as much. I gravitate towards some kind of concept or idea or situation that I want to write about. Very often I have to write, rewrite and come at it from an opposite angle...and I end up writing the opposite song that I thought I was going to write.
I think when you write songs, you write about people... People are the source of my material. And London is a wonderful place to be for people. So, the next time you're sitting in a park somewhere, and you see someone like me looking at you, don't phone the police. I'm just writing
I have a notebook that I take with me everywhere. I free-write in it when there are situations that I know I can write a song about. I will just start writing everything that I can think of while trying to write some things that are kind of poetic or sound like they could be in a song. Then, after the music is written, I go back and look at my subjects to see which one I think woud go with what music. Then, I formulate it into a melody and get the song.
I don't wake up in the morning and say, 'Jeez, I feel great today. I think I'll write a song.' I mean, anything is more interesting to me than writing a song. It's like, 'I think I'd like to write a song... No, I guess I better go feed the cat first.' You know what I mean? It's like pulling teeth. I don't enjoy it a bit.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
People are starting to know more about it, but I was blown away by Almaty, Kazakhstan. It's like a future Swiss Alps. It has the potential to be an extraordinary ski resort. It is a city with beautiful mountain scapes.
I would prefer that, rather than sitting down and giving someone advice, I would way rather write a song about what I was going through. I think that's a pure, organic process of learning from someone else's mistakes.
This site uses cookies to ensure you get the best experience. More info...
Got it!