A Quote by Adam Schlesinger
One of the more surreal days I've ever had in the recording studio was Martin Fry teaching Hugh Grant his old dance moves. Showing him how to do the hair-flip and the point, and all these sort of trademark moves of his.
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He loves me, and I reward his love by forcing on him something he hates. In the evening, after we dance, he rarely returns to the throne; he dances with others or moves from place to place through the room. The court thinks he is trying to be gracious, sharing his attention. Only I see that he moves always to the empty spot and the court always moves after him. He is like a dog trying to escape his own tail. He indulged himself in one brief moment of privacy, and almost died of it. Relius, he hates being king.
When Grand Masters play, they see the logic of their opponent's moves. One's moves may be so powerful that the other may not be able to stop him, but the plan behind the moves will be clear. Not so with Fischer. His moves did not make sense - at least to all the rest of us they didn't. We were playing chess, Fischer was playing something else, call it what you will. Naturally, there would come a time when we finally would understand what those moves had been about. But by then it was too late. We were dead.
Like looking down on a lubricious chess set, isn't it? The king moves in tiny steps, with no direction, like a drunkard trying to avoid the archer's bolt. The others work their strategies and wait for the old man to fall. He has no power, yet all power moves in his orbit and to his mad whim. Do you know there's no fool piece on the chessboard, Kent?" "Methinks the fool is the player, the mind above the moves.
My whole world changed when Michael Jackson brought out the Bad album when I was about eight or nine. He took over my whole life and from then on I wanted to be Michael Jackson. I watched his videos for hours and learned how to dance like him. I would push back the chairs in the room and learn his dance moves. I even taught myself to moonwalk.
I just watched a James Brown video of him singing 'I Feel Good,' and then I kind of just copied off his moves. But I couldn't do them properly, so they turned into my own moves.
T Bone and I grew up together in Fort Worth, Texas. He had his own recording studio by the time he was seventeen years old. When we were both nineteen he made the first archival recording of my voice.
Once the makeup is on, it's a collaborative process but it's pretty neat to have the makeup sort of speak to you when you look in the mirror and see how the face moves. For me, the personality comes through that makeup and that exploration of how it all looks and moves. You try to make it more unique than just a human with a mask on.
I wish I could dance like Michael Jackson. I'd love to be able to have my life exactly the way it is, but with his dance moves.
The physical world is the point of departure from whence the magician works and upon which every human being, initiated or not, live and moves through his senses, his spirit, his soul and his physical body.
Part of the problem is voters know relatively little about Romney. And some of what they know about him complicates his task: Romney has a history of flip-flopping on issues, he's extraordinarily wealthy, and he can be tone-deaf about what moves voters. He just doesn't seem comfortable in his skin.
This is your heritage,' he said, as if from this dance we could know about his own childhood, about the flavor and grit of tenement buildings in Spanish Harlem, and projects in Red Hook, and dance halls, and city parks, and about how his own Paps, how he had beat him, how he taught him to dance, as if we could hear Spanish in his movements, as if Puerto Rico was a man in a bathrobe, grabbing another beer from the fridge and raising it to drink, his head back, still dancing, still steeping and snapping perfectly in time.
Charles Barkley taught me a lot when I played against him. How he would use his body or use his dribble to get people in there and all that stuff. Veteran moves.
Observe your cat. It is difficult to surprise him. Why? Naturally his superior hearing is part of the answer, but not all of it. He moves well, using his senses fully. He is not preoccupied with irrelevancies. He's not thinking about his job or his image or his income tax. He is putting first things first, principally his physical security. Do likewise.
The Spartan, smiting and spurning the wretched Helot, moves our disgust. But the same Spartan, calmly dressing his hair, and uttering his concise jests, on what the well knows to be his last day, in the pass of Thermopylae, is not to be contemplated without admiration.
Even Gene Kelly: I always preferred him to Fred Astaire, just because he was more athletic, like skateboarding. His leaps were big. There was something really great about his moves.
The God in whose hands are all our days and ways, did cast into my hand (one day) a book of Martin Luther's ; it was his Comment on the Galatians! ... I found my condition in his experience so largely and profoundly handled, as if his book had been written out of my heart ... I do prefer this book of Martin Luther upon the Galatians, excepting the Holy Bible, before all the books that ever I have seen, as most fit for a wounded conscience.
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