A Quote by Adam Schlesinger
I've never really had the desire to be a front person or a solo artist. I don't really create that much of a hierarchy in my mind.
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In the hierarchy, the artist faces outward. Meeting someone new he asks himself, What can this person do for me? How can this person advance my standing? In the hierarchy, the artist looks up and looks down. The one place he can't look is that place he must: within.
I was never the one that really wanted to be a solo artist, I was always in groups.
Everything that Eddie has said about me is the total opposite of what really happened. Eddie says I wanted to be a solo artist. No, Eddie wanted to be a solo artist.
Over the years, I was never really driven to become a solo artist, but I was curious to find out who I was as an individual creative person. It's taken some time, but now I feel I've truly paid my dues. I guess I'm at a point now where I'm more comfortable in my own skin.
I wasn't really geeky. In terms of the high school hierarchy, I was very much in the middle ground. You have the really popular guys, you have the nerdy guys, and then you have the people who really don't care - and that was me. I wasn't really picked on or anything like that.
As a child he had grown up without a mother or even a grandmother. He had never really explored emotional relationships or marriage. He'd never been given advice on the matter. The closest he'd really come to seeing a relationship was watching Ryland Miller pursue Lily. The man had lost his mind. Nicholas had a feeling he'd joined the ranks of en losing their mind over women.
I never really followed the traditional route when it comes to what people probably expect as a solo artist goes, but that's just me. It's my own creative output and it's my expression.
I've never really had a chance to play a bad guy, and that's something I've always really, really wanted to do. I wanted to experience that really dark side of a person.
I really wasn't planning on being a solo artist.
I never had this idea, 'I wanna be a solo artist.'
What appealed to me about 'The Loved Ones' script was that it had this really theatrical element to it. I thought that the scope of this character is so broad, and there is so much fun to be had playing a crazy teenage loner. It was a great way to explore the delusions a mind can create.
I've always had a thing for playing in front of people, and the nerves never really creep in too much for some reason for me.
I was a very introverted individual and this became an important outlet for me to express myself, to communicate, to take positions, make statements, take a stand and so forth. But I never really thought I had much a future at all So the thing that I had to do was to really go inward and really work super hard in the hope that someday it would pay off. And in using that term I don't mean necessarily money, but just the fact that I would have more depth and dimension both as a human being and as an artist.
It's never really been that hard for me. I've never had any desire to eat meat. In fact, when I was a kid I would have a really difficult time eating meat at all.
A true artist is driven by the never-ending desire to create.
Hunger, I discovered, is very much a matter of the mind, and as I began to study my own appetites, I saw that my teenage craving had not really been for food. That ravenous desire had been a yearning for love, attention, appreciation. Food had merely been my substitute.
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