A Quote by Adam Scott

It is not like casting me in your movie is going to help you get financing. — © Adam Scott
It is not like casting me in your movie is going to help you get financing.
If a movie doesn't even have financing yet, they'll do a table read for it at a casting director's office with actors, for the producer and the writer, just to hear if the movie is working.
In the last 'Batman' movie, they told me that I couldn't get an audition for a small role they were casting because they weren't 'going urban.' It was like, 'What does that have to do with anything?'
The way financing for independent movies goes is great. You get the money from the guy who's actually doing the distribution in France. You say, "Do you want a piece of this movie?" And he's got to sell this movie to get his money back. That's the brains of it; that's the genius of this financing. "You want Germany? Give us a million dollars and you've got Germany."
The first time when you can really get a sense of what the movie is going to look and feel like is when you're in a casting room and seeing it.
The first thing I learned as a producer is that you have very little control over the life of a project. Anything can stall a film from financing to scheduling to casting. Things fall apart all the time. Don't waste time on something that just won't get made. Try to have as many projects going at one time as you can handle.
Quentin [Tarantino] called me and said: "Yeah, you've got to be in my movie. You've got to be in Death Proof." But he made me audition. I was like: "Dude, I don't even want to do this..." So I left the casting of Hostel: Part II to drive to Venice, where Quentin was holding his casting, and the person ahead of me was Derek Richardson from Hostel 1 and he was like: "Dude, what are you doing here?" I said: "Don't ask!"
My movie now, to me, is going to help so many people to realize that it is okay to ask for help. It took me so long to be able to ask for somebody to help me.
I got an internship with the casting director of The Girl Next Door. I would hold the clipboard and help them in their casting sessions and get them lunch.
People see everything through a filter of them, of their own selves. And it's like, you can't be depressed because somehow that has something to do with me. And it's like - no, it doesn't. This is my brain. This is my body. These are my emotions. It's got nothing to do with you. You don't want me to get help for whatever reason you don't want me to get help. But I'm out here, and I need to get help.
I feel like at the end of your days, the last thing that's going to happen is that you're going to watch the movie of your life. It's very important to make sure that you love your movie and that you want to watch your movie, so I try to always make sure that I'm doing something fun and interesting.
Most of the e-mails I get nowadays are from students who ask me how I got my start. In truth its from having a really supportive family but also having a good patron who will help you - like financing all those early trips I took.
Most of the e-mails I get nowadays are from students who ask me how I got my start. In truth it's from having a really supportive family but also having a good patron who will help you - like financing all those early trips I took.
We all have unfair situations and things we don't like. You can get bitter, discouraged and sour, or you can see it as fertilizer and say, “ This difficulty is not going to defeat me; it's going to promote me. It's not going to hinder me; it's going to help me.” Don't just go through it, grow through it.
Casting is really a black art. It's a huge part of directing and it's the most invisible. It's one that people don't really think about or talk about. But you can really destroy your movie by casting it badly before you've shot a foot of film. And yet there are no guidebooks for it, there's no rule book to tell you how to do it. It's all your own experience and your own sensibility and your own intuition.
When somebody is making a movie about your life, that's different. A show is a live performance. Things are going to go wrong. You are going to get away with things. A movie is indelible. A movie is through a microscope.
I mean, life is kind of like your own movie. You collect your characters to play your friends or acquaintances, your lovers. You're the casting director of your own life.
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