A Quote by Adam Scott

I was an extra in a Tia Carrere music video. — © Adam Scott
I was an extra in a Tia Carrere music video.

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The music video, Lil Nas X, he asked me to be in the 'Panini' music video. It was crazy. I was just listening to the song and I was like, okay, this is going to be my first music video but it was really fun.
What people are going to be surprised about is that Tia and I are really different. We're nothing like the characters on 'Sister, Sister.' We're kind of swapped. I was the crazy, mischievous one on the show - Tia was the studious, more serious one.
I think that's where the music business is where it is today because at one point, we were just splurging so much money and it was just extra. Everything was just extra and over did. Now, people are being as creative as they were but they're not spending $500,000 or a million on a video.
I was once an extra in a Bruce Springsteen video where they did a live performance video at Tramps. I forget the name of the song.
What do I look like, the ghost whisperer? They're loony. I'd have better luck talking to my cousin Alfonso's Chihuahua. At least Tía Juana knows Spanish." "Your cousin's Chihuahua is named Tía Juana?
I have a music-video background, and I feel like the responsibility of a music-video director is to do something that hasn't been done before in a really cool visual way. So much innovation has come in filmmaking through music videos.
When you're animating a music video, you have to animate to some set music. You're somewhat restricted by that, but you're also inspired by that. The animation becomes secondary if you're animating to a music video. Either way, it's important. Music has really helped my animation, that's for sure.
It's typical for video customers to often use licensed music - whether a soundtrack, background music, or sound effects - to complement their video projects.
There's only one music video that had an emotional impact on me, and that's 'Hurt' by Johnny Cash. That's exceptional. There is no music video I can think of apart from that one that really reaches you inside.
There's only one music video that had an emotional impact on me, and that's "Hurt" by Johnny Cash. That's exceptional. There is no music video I can think of apart from that one that really reaches you inside.
I have a music video I was in coming out for M83 for their song 'Claudia Lewis.' It's directed by Bryce Dallas Howard, and I play opposite Lily Collins. It's a pretty edgy intergalactic music video.
We have tons of live performances that we're putting on there. We have music videos. There's a music video for the song called I Am Jesus what is one of the funniest music videos, like we just could not find a place for it in the movie, but it's like crazy funny. And we have the whole video.
"St. Lucia We Love" is actually a song produced by Stratosphere music (also St. Lucian). The CEO of Stratosphere music approached me and wanted me to produce a music video for this song which was already a hit in my country. I felt privileged to have been chosen to do such a video. So every time I went out to shoot a scene from the video, I would get a still shot from the scene to tease the public. The photo of the amazona versicolor is is an actual scene from the video which was released on St. Lucia's Independence day (22nd February, 2013).
Directing music videos, especially ones that are concept/narrative driven is challenging in itself, but Directing a music video within a digital video environment is even more difficult.
We always need to have someone help with videos, I think all of our DVDs could've been better but our music video, I love all the music videos, but the actual behind-the-scenes and stuff of our music video DVD, it was rushed and didn't turn out great.
When I found the 'Human Nature' music video as a teenager - I've been a drag queen since 15 - I just loved that music video so much because it's such a celebration of her femininity and her sexuality. I thought it was so powerful.
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