A Quote by Adam Thielen
I always played 'FIFA' and stuff like that growing up, and seeing those guys celebrate, I kind of got inspiration from that.
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I always was into it, just seeing guys growing up on TV in postgame conferences and seeing how they're dressed, glasses they're wearing. That kind of just always was something that caught my eye. Now I got the opportunity to show off what I wear, so I just try to take advantage of it.
I played defense, so I don't like when guys celebrate with dances and stuff.
Definitely, I got a reputation growing up playing on the guys' hockey teams. The guys knew how tough I was because I played with them. I got quite a good reputation for beating up boys going up through school.
My dad was a musician, played on the road and played all of his life. And I grew up in a musical family. I heard it all. I mean, I got accustomed to listening to Roy Acuff and all the old guys. It was really cool for me growing up in a family like that.
I'm kind of a dirty guy, a little Bill Laimbeer-ish. Those are the guys I used to watch growing up. I used to watch Karl Malone; now I watch Boozer and Elton Brand and try to emulate those guys as much as possible because those guys are about the same size as me.
My family members were always there and I was very fortunate for that I mean, I played hockey growing up. That was the sport everyone in Charlestown played back then, and I had skates and the equipment, but I was growing so fast, it became hard to afford new stuff every year. But hockey was it for me.
I was always big. I was kind of around this size, like, since I went into high school. I played rugby and stuff like that. So, people, you know, would screw with me, but I never got into, like, a real fight or anything like that.
I grew up in a small town where you know everyone, .. I've been told all my life that I come from too small a town to compete with some of the guys that competed in a higher level growing up. And that kind of drove me through college and drove me in the minor leagues, because I got to face all those big 5- A [school district] guys in the minors.
Well, growing up in LA, things are kind of thrust in front of you. You're almost forced to grow up pretty fast, with experiences and stuff. Going to that school there were a lot of rich girls, a lot of partying, a lot of wild things. You're put in this environment where you're forced to wear a uniform. It was all girls, so you rebel naturally, I think. I don't know, I just kind of got inspiration from every day living and going to school.
When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.
Chris Paul is one of those guys growing up, I guess I looked up to. Deron Williams was one of those guys, Dwyane Wade, Baron Davis.
As a kid growing up, this was sometimes a little bit intimidating to have a mom who was always, like, speaking up and always saying something that might be kind of controversial . . . . The thing I think that we got out of that that was really good was, like, we weren't afraid to make waves.
Players like Didier Drogba, going to watch him play and seeing him off the pitch as well, I got to see how he was with the players and the youngsters. Growing up, he was a good idol. He's a bubbly, funny character. He likes to make people feel welcome. You need those kind of people, wherever you are.
Like I'm seeing Chris Sale; he's got a similar pitching style and strikes guys out a lot. Why are people only talking about my strikeouts and all that stuff?... Why not the other guys, who have similar numbers and pitch counts?
I got into playing the jazz. I played jazz for a good while. I did the popular stuff first. You got the "Twelfth Street Rag" and those kinds of things. Then I got to hanging around with a bunch of guys starting to playing jazz. We'd go from one place to the other and take our instruments, just perform for free.
I didn't want my records to sound like anybody else, and when I've got my guys in the studio, I have a language with those guys because we work together every day. A lot of times, you bring in outside guys, studio players, whatever, and they're great musicians. It's just that they don't necessarily play the way I want it to be played.
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