A Quote by Adam Vinatieri
I mean, if I was going to leave New England, it wasn't going to be just for the sake of leaving.
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I'm not leaving the fight just because I decided not to run. I'm going to expand my political action committee and volunteer for it. I'm going to do lots of other things where I will have a voice. So I'm not leaving the fight.
I mean, you're just not going to like somebody and he's not going to like you. But you're going to go out there and play. And you're going to give the other seven or eight guys on that field a chance to win. And that's just the way it's going to be.
With patient and firm determination, I am going to press on for jobs. I'm going to press on for equality. I'm going to press on for the sake of our children. I'm going to press on for the sake of all those families who are struggling right now. I don't have time to feel sorry for myself. I don't have time to complain. I am going to press on.
I mean you know at midnight everything is going to turn to pumpkins and mice; right? But if the evening goes along, I mean, you know, the guys look better all the time, the music sounds better, it's more and more fun, you think why the hell should I leave at quarter of 12. I'll leave at two minutes to 12. But the trouble is, there are no clocks on the wall. And everybody thinks they're going to leave at two minutes to 12.
I leave, and the leaving is so exhilarating I know I can never go back. But then what? Do I just keep leaving places, and leaving them, and leaving them, tramping a perpetual journey?
I've got to think about what I'm going to say very carefully. There's two avenues of thought: Do you stop everyone going, ban all the artists coming in from Russia? But then you're really leaving the men and women who are gay and suffering under the antigay laws in an isolated situation. As a gay man, I can't leave those people on their own without going over there and supporting them. I don't know what's going to happen, but I've got to go.
So, tomorrow, I’m leaving. And I’m not going to let that happen again with anyone else. I’m going to do what I want to do. I’m going to be who I really am. And I’m going to figure out what that is.
You want to leave something; you really do. I mean, in the end, statues and all those things, that doesn't mean anything. Leave something that we're all going to benefit from. I think that's what I'd like to do.
I love everybody I work with. It's really like a family. I can't imagine leaving. It's weird. I know at some point I'll have to leave, but I don't really have any plan for that yet. Anytime you're leaving, it's going to be a crapshoot. You hope you have something to do afterward, but there's no guarantee.
This acting is going to leave my stain. Not just my mark, because you can wipe a mark off. But a stain: it's going to take a whole lot to get that out, and that's how I'm going to leave my stain on this world.
I think me leaving Detroit shaped my style. Me leaving, going to New York, going to L.A. and seeing what they were doing there. I think that inspired me more than what people were doing back home.
I am going to fight on the pitch for Newcastle and if it comes to the stage where someone says can you fight for England then I will fight for England. But I am not going to go on about it. It is just not worth it.
Leaving high school. It's sad and you're going to miss all your friends. You're going to miss your life and you've been doing that for the past four years, and it's comfortable. But now, there's something possibly bigger on the horizon, just new and fresh and exciting. I think we all kind of felt like that.
This fight means the world to me. It's what I've been dreaming about since I was 10 years old to win a world title. I'm going in their with nothing less than a victory. I think it's safe to say the fight is not going the distance and it's going to be a fight of the year candidate. He's going to come to fight, I'm coming to fight and I plan on leaving September 8th as the new world champion
If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings--excuse the expression. Like Manlius and Esposito and all those poor men.
There's a lot of hyperventilation that takes off before the [Sundance Film] Festival, a lot of buzz. Every year we hear, this is going to be the new this, this is going to be the new that, and it never is. The buzz just doesn't mean anything. I'm glad it doesn't. Because I think the festival shows that what succeeds is content.
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