A Quote by Adam Young

I'd probably go to see Saturn first-thing and see as close to those rings as I can get and see if I can fly by one of them and try and put one of my hands through them.
If I see someone I see the ghost of them, the air around them, and where they’ve been. If I see a city I see it’s living ghostliness—the stray looks, the dying hands. I see it’s needs and its discomforts locked in apartments.
Directing is kind of like acting through other people. You see moments and you see things and if you don't see the actors hit it, you paint in those little spaces and tell them what direction to go in.
I think I see the difference now, between loving someone from afar and loving someone up close. When you see them up close, you see the real them, but they also get to see the real you.
I have realized that you can close yourself off to life if you put walls up, but it's a difficult thing ... You can't see over, people can't see in, and you also can't see out. So I've gotten quite comfortable with just being unafraid. I keep saying the same thing: it's not about being fearless but really just embracing the fears and using them.
I cannot see the short, white curls Upon the forehead of an Ox, But what I see them dripping with That poor thing's blood, and hear the ax; When I see calves and lambs, I see Them led to death; I see no bird Or rabbit cross the open field But what a sudden shot is heard; A shout that tells me men aim true, For death or wound, doth chill me through.
But I’ll never see anyone else, Bella. I only see you. Even when I close my eyes and try to see something else. Ask Quil or Embry. It drives them all crazy
We see women on the field; we see them interviewing players, we see them coming out of the dugout. But if you put them in the booth - like, hold up, wait a second - you haven't been there before. This is different.
The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings.
One of the first times that I went into a book store and saw a bunch of my books, my impulse was to put them all under my coat and run away so that no one else could see them, even though, of course, I wanted everyone to see them.
I still use the pronoun she for my publicity materials, and for mainstream media stuff, for two reasons: the first is that I do a lot of work in public schools, and I want those young women and girls to see every kind of she there can be. I want them to see my biceps and my shorn hair and shirt and tie and for some of them to see me as a possibilityI want them to see me living outside of the boxes, because they might be asphyxiating in their own box and need to see there is air out here for them to breathe, that all they have to do is lift the lid a little.
I've been through the ups and downs and had a lot of different things go on. But the one thing I believe is that when fans bought a ticket to see me fight, they got their money's worth every time. I never cheated them. I gave them what they came to see.
When I write, I never think of segments as chapters; I think of them as scenes. I always visualize them in my mind. Then I try to get the scene down on paper as closely as I can. That's the one thing that readers don't see - what you have in your mind. The reader can only see what you get on the page.
I watch these actors who when you go to buy a pint of milk you see them smiling on the cover of 20 magazines. Then when you see them in a film it's hard to believe the character because you just see them everywhere.
I watch these actors who when you go to buy a pint of milk you see them smiling on the cover of 20 magazines. Then when you see them in a film it's hard to believe the character because you just see them everywhere
Most people see what they expect to see, what they want to see, what they've been told to see, what conventional wisdom tells them to see - not what is right in front of them in its pristine condition.
You do not see fairies through the eyes, you see them through the heart and that took me a long time to learn because I was always trying to see them through my eyes.
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