A Quote by Adelaide Anne Procter
Each man has some part to play.
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Yet each man kills the thing he loves, By each let this be heard, Some do it with a bitter look, Some with a flattering word, The coward does it with a kiss, The brave man with a sword! Some kill their love when they are young, And some when they are old; Some strangle with the hands of Lust, Some with the hands of Gold: The kindest use a knife, because The dead so soon grow cold. Some love too little, some too long, Some sell, and others buy; Some do the deed with many tears, And some without a sigh: For each man kills the thing he loves, Yet each man does not die.
Paintings may not have nearly the power to convert people that the printed or spoken word has, but each man has his part to play in the human and divine drama - some persons just a few lines, others whole pages. To refuse to play one's role at all is not the answer. It is better to light one candle than to curse the darkness.
Yet each man kills the thing he loves By each let this be heard Some do it with a bitter look Some with a flattering word The coward does it with a kiss The brave man with a sword
There are some similarities, I think, with all the characters I play. I'm not a guy who sees the desire to transform with each part; I'm not a piece of clay.
Every man must play the part of his ambition. If you are trying to be a successful man, you must play the part.
The world is too complicated in all parts and interconnections to be due to chance alone. I am convinced that the existence of life with all its order in each of its organisms is simply too well put together. Each part of a living thing depends on all its other parts to function. How does each part know? How is each part specified at conception? The more one learns of biochemistry the more unbelievable it becomes unless there is some type of organizing principle-an architect.
We sit here, very different each from the other, until the passion arrives to give us our equality, to make us part of the play, to make the play part of us.
As a child there's a horror in discovering the limitations of the ones you love. The time you find that your mother cannot keep you safe, that your tutor makes a mistake, that the wrong path must be taken because the grown-ups lack the strength to take the right one...each of those moments is the theft of your childhood, each of them a blow that kills some part of the child you were, leaving another part of the man exposed, a new creature, tougher but tempered with bitterness and disappointment.
What I consider a good part for a woman and what some other Hollywood people think are good women's parts are very different. I don't' want to play the supportive girlfriend who has nine scenes and just loves that man, maybe cheats on him in one scene but will always be there, and I mean - give me a break. You'll be offered the "lead" in this new hot film with such-and-such A-list director, "a fabulous part" - a fabulous part? A fabulous part is a character with a soul, who starts here and goes to there, you know? There aren't many of those.
Remember that you are but an actor, acting whatever part the Master has ordained. It may be short or it may be long. If he wishes you to represent a poor man, do so heartily; if a cripple, or a magistrate, or a private man, in each case act your part with honor.
A man is a man in every part of the world. It has nothing to do with race. It has to do with the culture and education that each man has received since he was a child, in his home. It has to do with how he was raised.
There's a rule in acting called, 'Don't play the result.' If you have a character who's going to end up in a certain place, don't play that until you get there. Play each scene and each beat as it comes. And that's what you do in life: You don't play the result.
I am very reactive towards everything. There are some who don't react at all, they absorb everything quietly, while I'd go all out and show my expressions. This is not part of some tamasha I do; I do it because it's part of my personality. To each his own.
If you have a meaty part to play, I don't see the harm in being part of multi-starrers. Moreover, I will be happy to be a part of a good film than playing lead roles in some bad films.
All poems say the same thing, and each poem is unique. Each part reproduces the others, and each part is different.
So the idea was that, some catastrophic event had happened. There was a long dark age and then out of that, 100 years ago in this world, seven barons - these men and women - rose up and formed the new society. It's a feudal world, a part feudal barons and part warlord and part mob boss and they each control a huge resource so that there's an uneasy alliance, but they all need each other.
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