A Quote by Adele Exarchopoulos

It's hard to be natural in a scene when you pick up the phone and no one is there. — © Adele Exarchopoulos
It's hard to be natural in a scene when you pick up the phone and no one is there.
When I had dial-up, my mom got me a phone so I wouldn't tie up the phone. She used to really pick up the phone, push some buttons, and hang it up so the connection could mess up. Now, it's a joke with her, like, 'Look, the Internet's 24/7. I have WiFi now.'
I can at least hearken to a time when I didn't have a cell phone, where I had to call my mom after movies collect from a pay phone, and when they said, 'State your name,' I'd say, 'Mom, pick me up,' and hang up the phone.
As an actor, I always think that if someone does pick up a phone during a performance, something dire must be happening in their lives that is more important than theatre - some kind of tragedy they were attending to, or something. It's very uncomfortable if you don't know why they would pick up a phone and talk in the middle of a show.
As a customer service representative; it is hard to deal with people who has an attitude when I pick up the phone.
It's a really special skill to be able to pick up a phone the way that a human picks up a phone. It's not as easy as you think.
I've always shied away from computers, the Internet and all that. I'm a bit more traditional, really - pick up a newspaper, pick up a phone.
I'll call you," he repeated. "If you call me, I won't pick up the phone." "You will wait by the phone for my call, and when it rings, you will pick it up and you will speak to me in a civil manner. If you don't know how, ask someone.
And when your phone rings, pick it up. Open yourself up to the possibility a phone call offers. Discover this remarkable device called the telephone. It will give you a serious competitive advantage.
Everybody knows I return all of my phone calls. I pick up my cell phone myself, much to the chagrin of my staff.
This was before voice mail, recorded phone messages you can't escape. Life was easier then. You just didn't pick up the phone.
There's an awful lot of scenes where we don't know what the scene's going to be about, we ask the audience, pick a place that the scene is happening, pick the relationship, tell us who they are, things like that.
I often tell my students that you can't worry about the end of an improv scene because the end is not up to you. You just play as hard as you can until someone changes the scene. The scene has changedthe end is not up to us.
I've kept my phone on silent for a year and a half. For me, it's too much noise. It's not my jam. I like to keep things a lot more easygoing. The world's not going to stop if you don't pick up your phone.
You can write ten versions of a scene, and then, on the day, discover that something in the original scene worked. It's hard on writers. Hard on actors, hard on editors, hard on me, hard on the producers, who require patience and confidence. But I can't get to the end without going through this process.
I hate to admit it, but anytime you're at a stoplight and your phone is within reach? You pick it up. It's become instinctual. Even if you put the phone down and walk out of the room, you're always aware of where it is. It's become an extension of you.
I never answer if someone knocks on my door and only the band and my manager have my phone number. In any case my phone doesn't ring so I never notice it. I occasionally just walk past and pick it up to see if anyone's there.
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