A Quote by Adepero Oduye
I have friends who are black whose families opened their arms to them when they came out; I have friends who were white where they were rejected.
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I'm not Cuban and therefore don't have any family members who were oppressed by Castro's regime. But I do have a number of friends whose families were.
I have seen celebrities whose friends change as they become more successful, but my friends haven't changed over 30 years. I've still got some of the friends I had when I was 14 and I see them regularly with their families.
When I was in Mecca I noticed that their, they had no color problem. That they had people there whose eyes were blue and people there whose eyes were black, people whose skin was white, people whose skin was black, people whose hair was blond, people whose hair was black, from the whitest white person to the blackest black person.
When they finished laughing they were on their way to being not just friends, but the dearest of friends, the sort of friends whose lives are shaped by the friendship.
I have friends who were friends of mine before I did music and they are my friends now, and we share life experiences. It's no fun unless you're sharing with people, looking out for them as they are looking out for you.
The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.
When 'The Cosby Show' came out, and everyone was up in arms about 'The Cosby Show' and that it was reflecting a world that didn't exist - but I knew black doctors. And I knew black lawyers. And I knew families that, you know, had a mother and a father and kids that were well-behaved.
So I was really excited when I came to America about meeting black people. But it was a huge culture shock, because I was rejected by the black community. They were like, 'You talk like a white girl.' People would call me an Oreo. All I wanted was acceptance.
I happen to know at least a hundred Sudanese refugees in the United States, all of whom were taken in by white families and white churches, and they all tell me''Naima, you were blessed to be raised by Black Americans.'
I grew up with white friends, Asian friends - Vietnamese, Chinese, Pacific Islanders. I had Hispanic friends, not just Mexican friends, but Guatemalan friends, Honduran friends, and we knew the difference, you know?
A lot of my friends were mostly working in black-and-white - people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing.
My grandmother, my mother and my aunts and their friends were all of southern Chinese ancestry, and they were all strong figures. Though if you asked them who was the head of their families, they would have said their husbands; and yet it was the women who ran everything.
Modelling opened up the world to me. All my friends were bohemian artists and were a little bit appalled when I sold out and did something so bourgeois. I'd say, 'Come on, guys, with what I earn from this job, we can all go to Morocco.'
The Town Hall Pub on a Wednesday night was just regulars anyway, so we could play whatever. Worst case scenario, it would be the same seven people who were always at the bar getting drunk, and they would be there for us. But we just told our friends and family, and they came out to support us. Then they told their friends, who told their friends, who told their friends. It was a full-on event.
With the White Stripes we were trying to trick people into not realising we were playing the blues. We did not want to come off like white kids trying to play black music from 100 years ago so a great way to distract them was by dressing in red, white and black.
It's always humbling, knowing where we came from. From being friends with the janitor in the bar and being friends with the waitress - because they were some of the only people that were listening when we finished playing - to this, we are able to appreciate every single person and every single piece of it, because we came from nothing to this.
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