A Quote by Adhir Kalyan

Growing up in this post-apartheid era, the first generation of teens in South Africa living in this new democracy, I often found myself feeling different. I was often the only person of color in an otherwise all-white school. And within the Indian community, because of my training with an English acting teacher, my accent was very different.
When I was 12 I worked with someone - it was actually an English teacher at my school, John Woodward. He was the only teacher in the school to have a top-of-the-range Porsche and all the trappings of success, so it was very interesting for me to find out how he did it. He was probably the wealthiest English teacher in the community.
South Africa gives me a perspective of what's real and what's not real. So I go back to South Africa to both lose myself and gain awareness of myself. Every time I go back, it doesn't take long for me to get caught into a very different thing. A very different sense of myself.
Today's children are living a childhood of firsts. They are the first daycare generation; the first truly multicultural generation; the first generation to grow up in the electronic bubble, the environment defined by computers and new forms of television; the first post-sexual revolution generation; the first generation for which nature is more abstraction than reality; the first generation to grow up in new kinds of dispersed, deconcentrated cities, not quite urban, rural, or suburban.
I did use my own accent in a play once. It's a very freeing, liberating experience. Actors are often asked to adopt a different accent, and sometimes a different voice, so when that's taken away and you don't have to think about it, that's a lovely thing.
I got bullied so much growing up for being a different color in a majority white school.
In the South we experienced, you know, some black kids who gave us a hard time because - cause 'you talk white.' We didn't talk white. We talked fairly proper. Plus, we had a Midwestern accent, so we didn't have a Southern accent, either. So it wasn't really talking white; it was talking different.
Remember, we really grew up separately; our life experience was very different because of segregation. So I think comedy is a good space to work those things out and educate everyone about the different experiences and different race groups in South Africa.
I think all of my writing life led up to the writing of 'The Train Driver' because it deals with my own inherited blindness and guilt and all of what being a white South African in South Africa during those apartheid years meant.
I was born in South Africa during apartheid, a system of laws that made it illegal for people to mix in South Africa. And this was obviously awkward because I grew up in a mixed family. My mother's a black woman, South African Xhosa woman... and my father's Swiss, from Switzerland.
For most of my writing life, I've refused to allow myself to believe that writing was a significant form of action. I always felt very uneasy about the fact that all I did was write in a situation as desperate as apartheid South Africa. Whether I was correct or not is a different issue.
I feel a disparity between my life in India within the home and my life outside the home - my life within public and private space. In terms of here and there, there were some differences, but New York and India were very different when I was growing up in the '80s. Definitely in terms of the visual and popular culture I encountered within my home - that was very different from the complete lack of representation I saw of South Asian culture outside of that space.
When you say, 'Southern,' or you speak about a southern accent, there's always that drawl, and usually from white people. That's what people associate with the South. But we're all different. The black southern accent is different.
I am inspired by Nelson Mandela. I was a volunteer teacher in South Africa during apartheid, where I witnessed his success liberating black South Africans.
I was one of the only people of color at my grade school and also my high school. It's weird recollecting on my childhood, I think, because my brothers are all white. We all share the same father but different mothers. I guess I kind of associated white, but I was occasionally reminded in a really negative way that I wasn't.
It's an extension of what I do also as part of making my living - I go into schools and work with kids on writing, and I do assembly programs often. Each one is different because each school has different requirements.
Livestock adopted in Africa were Eurasian species that came in from the north. Africa's long axis, like that of the Americas, is north/south rather than east/west. Those Eurasian domestic mammals spread southward very slowly in Africa, because they had to adapt to different climate zones and different animal diseases.
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