I feel it's my social responsibility to shine a light on areas that don't get seen. My personal feeling is that it's an artist's responsibility to be engaged with the culture. And when the culture is going through turmoil, I think an artist can't ignore that. I don't feel that every artist has to be politically engaged, but I can't imagine that you can be an active participant of this culture and not in some way reflect that in the work you are creating.
Obviously, we're all going to die at some point. Whether or not we are fated to die in some way I think is debatable. I just don't know which side to debate.
[...] I suppose this was the first time I had ever felt an urge not to be. Never an urge to die, far less an urge to put an end to myself - simply an urge not to be. This disgusting, hostile and unlovely world was not made for me, nor I for it. It was alien to me and I to it.
Over the years, I was never really driven to become a solo artist, but I was curious to find out who I was as an individual creative person. It's taken some time, but now I feel I've truly paid my dues. I guess I'm at a point now where I'm more comfortable in my own skin.
I don't want to live and die with every point that's being played out there now. I'm going to let my coach live and die with every point.
I don't go, like, 'Hmm, I'm now going to create something for the black community.' I just feel this compelling urge. I just feel myself drawn to stories that I feel have a potency and immediacy.
I'm not an ardent feminist - well, maybe I am an ardent feminist. I just roll my eyes at the way women are constantly used and how sensitive men are about photographs of themselves.
I have always found that if, while creating an artwork, the artist constantly feels that some accident would occur if he is not careful, then it is a very significant moment and a significant work.
We all raise awareness and talk about making India a safe place for women, but at some point in time, I just feel that it is not creating a big impact. There needs to be some solution.
As a media artist and filmmaker, I'm constantly considering the role of situational context when creating my work.
I constantly think as an artist, as a rapper of what are the stories you want to tell? They can't all be, "I'm ill, I'm fresh, look at me, I have money." At some point, when you have an audience for it, there are stories that need to be told.
I believe that everybody was born with a kind of uniqueness. There is never going to be somebody else with the same DNA as you, with the same experiences. There is something that you were meant to do as an individual. You have some kind of creative skill. It can either be creating your own business in some level, being a writer, an artist, whatever, or it can even be working within a company, but from within that company you're creating something.
Aren’t you going to say, I told you so?” Hadrian whispered. “What would be the point in that?” “Oh, so you’re saying that you’re going to hang on to this and throw it at me at some future, more personally beneficial moment?” “I don’t see the point in wasting it now, do you?
I feel like at this point in the world of just creating anything, you're not going to be able to create anything new. I think the closest thing you're going to get to originality is a mixture of influences.
People are born, they have a limited amount of time going around thinking life is dandy but then, inevitably, tragedy strikes and they realize life equals loss! The whole point of the game is to minimize the pain caused by that equation! Now some people do it by having kids, or making money, or taking up coin collecting, and others do it by getting wasted.
I do feel even though now I'm acting, I still feel like I'm going to do a lot of other things, like write a book or multiple books, maybe a children's book - just random things that I feel like I want to do, that I have an urge to do in that moment.