A Quote by Adina Porter
I come from a theater background, so I always like to dissect the scene and try to get some hint about what the author was trying to get at. I still look up the meaning of the name of the character to see if there are any clues in that.
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When I first started training to be a wrestler I was also trying my hand at acting. I was trying to get into the Chicago theater scene. It was tougher to get into the theater scene than I thought and I almost gave wrestling a try as an afterthought.
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
When I'm creating a character, it's a little bit like what my theater teachers used to tell me about Stanislavsky, like if you're using sense memory to do a scene - if you have to cry in a scene, you try to remember something in your life that made you cry and you use that in order to get the tears.
It's the way I feel about acting. That we are given clues by a writer about someone's essence or persona and it's our job to try to figure out which of those clues are true, which of clues we decide to follow and which of those clues we think are red herrings, or only in the way another character thinks of that character.
There were [in Wilson] a lot of clues in it that you don't normally get, you know, normally you use your imagination or whatever, you get some clues in the script, of course, but yeah, it was really helpful, and I really like the graphic novel. There's stuff in there, there's a couple things in there I really wanted to use that they couldn't get in the movie, but it's definitely, he's a unique guy, you know, I never read a character like this before.
I saw Lee J. Cobb in 'Death of a Salesman' when I was about 15, and I couldn't get up from my seat in the theater; I was so... I was weeping, and I was upset. And I find that people are still like that in a similar circumstance in a theater today, where they just can't get up. It's too heartbreaking.
I come from theater, originally, and I've worked in many theaters where you make no money, whatsoever. If you got 3,000 people to see your production, it was great. So, I'm always about the work and I always want to strive for making the best story possible. I don't get hung up on trying to compare myself.
I was given the name by my brother when I was about eleven or twelve years old. He was older than me, and around that age I was starting to get into girls, and when they would call the house for him, and when he was not there, I would try to talk to them. I was trying to be the man and trying to get them to come and see me, not worrying about him. When he found out... he started calling me Ice Cube as a joke because he said I was trying to be too cool. I just liked it and started telling everybody in the hood "my name is Ice Cube."
On the off days, you have to come in and try to maintain your rhythm, just try to keep everything together. I sometimes come by myself, or some of my boys, get up a few shots, not too much, before or after practice. I always find time to get some shots up.
There is no secret, you try and never stop trying. If you have to sleep all day, and get up the next day, you keep trying. If you have to take 3 years away, do it and then come back. But it's all about trying. Not everything will work, but some things will, and you have to try.
I want to give the audience a hint of a scene. No more than that. Give them too much and they won't contribute anything themselves. Give them just a suggestion and you get them working with you. That's what gives the theater meaning: when it becomes a social act.
That's what Hanukkah is about: trying to survive the darkness on the far-fetched hope there's still some life and light left in the universe. It's more than just a religious story. The days have been growing shorter, imperceptibly but inescapably darker.... Heading into the night of the winter solstice, every spiritual tradition has some kind of festival of light. We're all just whistling in the dark, hoping against hope that someone up there will see these little Hanukkah candles and get the hint.
When some people get parts, they feel they can now relax, but for me it was always the opposite. Sometimes before I do a movie or before I act out a scene, I may not sleep well the night before. If I don't know what the scene is about, I might get all worked up.
I visualize songs like a little movie scene and I try to almost talk through the scene. What emotions am I trying to get across?
There's scenes where I really want to get things right, and all the kids know me as the person who says, 'Sorry.' I think I've gotten a lot better with that, but it's still the thing that I'm still worried about, trying to get the scene perfect.
I'm still fighting really hard to get any role I get. If it's comedy, I go for the laughs. And if it's drama, I try to tell the truth, and try to play the real stakes of whatever scenario the character's in.
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